Renéâs
father, who wants to know how much his son owes.â
âLet me check in my book. Monsieur
René alone, or with his friend? Er â¦Â A hundred and fifty, plus
seventy-five, plus the ten, and the hundred and twenty from yesterday.â
Delfosse passed him a thousand-franc
note and snapped:
âKeep the change.â
âOh thank you, sir, thank you very
much! Wonât you stay for a drink?â
But Delfosse senior was heading for the
door, without looking left or right. He went past the chief inspector, whom he did
not know. As he went out, he almost bumped into a new arrival, but took no notice
and climbed into his car.
And yet the main event of the evening
was about to take place. The man who had just entered was large and
broad-shouldered, with heavy jowls and an impassive expression.
Adèle, who was the first to see him, no
doubt because she was watching the door, opened her eyes wide and looked taken
aback.
The newcomer went straight up to her and
held out his plump hand.
âHow are
you, since the other night?â
She tried to smile.
âQuite well, thank you. And
yourself?â
The journalists murmured among
themselves as they watched him.
âBet you anything thatâs
him.â
âBut he wouldnât just walk
in here tonight.â
As if in a show of bravado, the man
pulled out a tobacco pouch from his pocket and began packing his pipe.
âA pale ale,â he called to
Victor, who was passing with a tray of glasses.
Victor nodded, and went on, making his
way round by the two policemen, to whom he whispered:
âThatâs him!â
How did the news spread? At any rate, a
minute later everyone was staring at the broad-shouldered man, who was perching with
one thigh on a bar stool, the other leg dangling, and sipping his English beer while
looking round at the clientele through his misted glass.
Three times, Génaro had to snap his
fingers to make the jazz band start another number. And even the professional
dancer, as he guided his partner round the polished dance-floor, did not take his
eyes off the man.
Chief Inspector Delvigne and his
colleague exchanged glances. The reporters were watching them.
âOK?â
And they stood up together and went
casually over to the bar. The chief inspector leaned his elbows on the counter next
to the newcomer. Girard stood behind him, ready to block his exit.
The band played
on. And yet everyone had the feeling that there was an abnormal silence.
âExcuse me, monsieur. But were you
staying at the Hôtel Moderne?â
A heavy gaze was turned on the
speaker.
âYes. What of it?â
âI believe you forgot to fill out
the police form.â
Adèle was close by, eyes fixed on the
stranger. Génaro was uncorking a bottle of champagne.
âIf this is not too inconvenient,
would you mind coming to my office to fill it in? But carefully does it. No fuss
please.â
Delvigne was scrutinizing his
interlocutorâs features and trying to identify, without success, what was so
impressive about him.
âNow, will you follow me, please,
monsieur?â
âJust a moment.â
The man put his hand in his pocket.
Inspector Girard, thinking that he was about to pull out a revolver, made the
mistake of drawing his own.
People round them stood up. A woman
screamed. But the man had only been feeling for some coins, which he placed on the
counter, saying:
âRight, after you.â
Their exit was far from discreet. The
sight of the revolver had terrified the customers, otherwise they would no doubt
have crowded round the three men. The chief inspector went first. Then the strange
man. Finally Girard, red-faced because of his inappropriate move.
A photographerâs flashbulb popped.
A car was at the door.
âBe so good
as to get in.â
It took no more than three
Andrew Lennon, Matt Hickman