my
back.
putting on a shirt that rips across my
back, rotten rag of a thing,
and putting on pants with a rip in the
crotch, I find in the mailbox
(along with other threats):
“Dear Mr. Bukowski:
Would like to see more of your poems for
possible inclusion in
_____Poetry Review.
How’s it going?”
footnote upon the construction of the masses:
some people are young and nothing
else and
some people are old and nothing
else
and some people are in between and
just in between.
and if the flies wore clothes on their
backs
and all the buildings burned in
golden fire,
if heaven shook like a belly
dancer
and all the atom bombs began to
cry,
some people would be young and nothing
else and
some people old and nothing
else,
and the rest would be the same
the rest would be the same.
the few who are different
are eliminated quickly enough
by the police, by their mothers, their
brothers, others; by
themselves.
all that’s left is what you
see.
it’s
hard.
kaakaa & other immolations
wondrous, sure, kid, you want more
applejuice? how can you drink that goddamned
stuff? I hate it. what? no, I’m not Dr.
Vogel. I’m the daddy. your old man. where’s mama?
she’s out joining an artist’s colony, oh, that’s a place
where people go who aren’t
artists. yes, that’s the way it works almost
everywhere, sometimes you can go into a hospital and
it can be 40 floors high and there won’t be a doctor in
there, and hard to find a nurse either.
what’s a hospital? a hospital is just a bunch of
disconnected buttons, dying people and very sophisticated and
comfortable orderlies, but the whole world is like this:
nobody knows what they are supposed to know—
poets can’t write poetry
mechanics can’t fix your car
fighters can’t fight
lovers can’t love
preachers can’t preach. it’s even like that with
armies: whole armies led without generals,
whole nations led without leaders, why the whole thing is like
trying to copulate with a wooden
dick…oh, pardon me!
how old are you? three? three. ah. three fingers, that’s nice!
you learn fast, my little ducky. what? more
applejuice? o.k.
you wanna play train? you wanna take me for a ride?
o.k., Tucson, we’ll go to Tucson, what the hell!
damn it, I don’t KNOW if we’re there yet, you’re
driving!
what? we’re on the way BACK already?
you want some candy? shit, you been eatin’ candy for hours!
listen, I don’t KNOW when your mother will be back, uh?
well,
after signing up for the artist’s colony she’s going to a poetry
reading. what’s a poetry reading? a poetry reading is where
people gather and read their poetry to each other, the ones
mostly who can’t write poetry.
what’s poetry? nobody knows. it changes. it works by itself
like a snail crawling up the side of a house. oh, that’s a big
squashy thing that goes all gooey and slimy when you
step on
it. am I a snail?
I guess so kid, what?
you wanna kaakaa?
o.k., go ahead. can you get your own pants down? I don’t
see
you very often, oh, you want the light on? you want me
to stay
or go away? stay? fine, then.
now kaakaa, little one, that’s it…
kaakaa…
so you can grow up to be a big woman and
do what big women
do.
kaakaa.
at’s it, sweet,
ain’t it funny?
mama kaakaa too.
oh yeah
wow!
that’s all right!
now wipe your ass.
no, better than
that! there, that’s
better.
you say I’m kaakaa!
hey that’s
good! I like that!
very funny.
now let’s go get some more beer and
applejuice.
a problem of temperament
I played the radio all night the night of the 17th.
and the neighbors applauded
and the landlady knocked on the door
and said
PLEASE
PLEASE
PLEASE
MOVE,
you make the sheets dirty
where does the blood come from?
you never work.
you lay around and talk to the radio
and drink
and you have a beard
and you are