The Dispatcher
corpse would not give her what she desires. She doesn’t understand that the dead don’t die until everyone who ever knew them and loved them dies too.
    Ian shakes his head.
    ‘No,’ he says. ‘There’s no body to find,’ he says. ‘She’s alive,’ he says.
    And she is no longer seven years old, no longer frozen in time. She is fourteen, fifteen in September, and she called for help today. Right into his ear.
    He won’t let her die again.

TWO
    Ian opens his eyes. He is lying on the couch, head turned to the right. With one eye he is looking at his work shoes on the floor near the wall opposite. The other eye can see only his out-of-focus shirtsleeve, his arm folded up over his head. One of his shoes is on its side. There is a blackened piece of chewing gum sticking to the heel. He sits up. His neck hurts. Sunlight shines through the dirty living-room window. Six empty Guinness bottles stand like bowling pins on the coffee table, the labels peeled from two of them and stuffed inside like messages floated in on the tide. Near the bottles is a saucepan, the bottom blackened by flame, with a fork poking out of it. Ramen noodles and a small slice of overcooked carrot cling to the inside of the pan. On the far corner of the coffee table, a chessboard with several pieces resting on it, revealing a partially played game. He puts his face into his open hands and rubs at it. Beard stubble against his palms like sandpaper.
    His watch’s alarm sounds. He looks at his wrist, but his watch is not there. It’s on the kitchen counter. That means he must stand up.
    ‘Fuck.’
    He gets to his feet and walks to the kitchen and thumbs the watch silent. Then he rinses the ramen pan he used last night, puts two eggs inside, puts enough water into the pan to cover the eggs, and sets the pan on the stove. The turn of a knob makes a clicking sound which is followed after a moment by the poof of orange-tipped blue flames. With that going he gets the coffee pot started as well, scooping coffee into a filter and pouring water into a tank. He presses a button. A red light flashes green. Liquid drips into the coffee-stained carafe. The drops sizzle, dancing on the heated surface.
     
     
     
    After pouring a cup of black coffee and peeling his soft-boiled eggs he walks back to the couch and sits down. He pushes the empty beer bottles aside and pulls the chessboard toward him. He looks at the game in progress. It seems ancient to him, some relic of an era lost in time, but he refuses to consider it abandoned. He bought the chess set from a junk store. It’s a cheap wooden case, lined inside with plaid fabric, one side of its exterior inlaid with veined marble squares to form a playing surface. The pieces were carved also from cheap marble by an apprentice or an old man with shaky hands, and because of the failing of the pieces the set was especially inexpensive. Both the board and the pieces are covered in dust. Ian hasn’t ever brushed them off for fear of disturbing the game, though he has sat and stared at it so frequently, replaying each move in his head, that if knocked to the four corners of the room he could still gather the pieces and reassemble the game in a matter of minutes.
    It’s his move. It has been his move for three years. For over three years. And he’s known what his move would be for just as long. It took him an hour of semi-drunken study to figure it out. Queen to b4. But by the time he did figure it out it was late, even in California where Jeffrey was still living with his mother, Lisa, so he decided he would call the next day. Instead he opened up another twelve pack and drank his way through it, drank till the sun rose and he had to drive to work. Three years ago he was still allowing more than a six pack into his apartment at a time. When he got home from work that day the alcohol was finally wearing off and he was hung-over and did not feel up to calling Jeffrey, so another day passed. And another. Then a week

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