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Fiction - Mystery,
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fucking difference.”
Ray shook his head. “Yeah, maybe. But if anyone knew him down here, Ho would have told us to back the fuck off.”
Manny jumped up and picked up a pistol from the low chest of drawers and stuck it under the pillow on the other bed, then stretched out again. He put the cigarette on the edge of the night-stand between the beds. “Man, what happened back there’”
“Yeah, I don’t want to think about that for a while.”
“Think about this, though, okay?” He held the cigarette in his hand without lighting it, then dropped it back on the table. “I know shit happens and you can only plan so much. It wasn’t anybody’s fault except maybe Rick, and he paid for it.” They could hear cars hissing by on the wet highway. “But here’s the thing, okay? Next time someone shoots at us? Fucking shoot back.”
HE LAY IN bed a long time before drifting into a thin sleep broken by sounds from the highway and the low, resonant rumble of thunder that seemed to come from the ground beneath him as much as the sky.
He’s sixteen and standing in a dark living room in Abington in De-cember. It’s late, maybe two in the morning, and Manny is climbing over the sill in the window behind him and trying not to laugh. The house is big, full of massive furniture looming in the dark rooms and throwing crazy shadows from the lights on the Christmas tree, the headlights of passing cars. Manny gets his boot caught in the curtains and goes over, jamming his hand in his teeth to keep from laughing out loud while Ray grabs his shoulders and drags him onto the carpet. He shakes his head at Manny, who finally pulls himself up and makes his way out to the kitchen, pulling sweat socks onto his long hands like gloves. The room is full of Christmas shit. Little houses with lights inside them. Holly wreaths set out on the tables.
Ray wanders down a hallway off the living room, passes a bathroom lit blue by a humming nightlight, pushes a door standing ajar with one elbow and finds himself in the master bedroom. A man and a woman are sleeping, two humped shapes under blankets. The room is darker than the rest of the house, and he stands a long time, his eyes adjusting. The woman is snoring slightly, her mouth open, blue-gray hair splayed out over the pillow, and the man is curled beside her, one slack white arm over hers. On a low dresser are pictures of kids he can barely make out. Grown kids and little ones that must be grandkids. On the table are the woman' s glasses and a picture of a man and woman that Ray picks up and turns in his hands till he can see it’s the woman and he guesses the man, too, only they’re young and skinny and the man wears a white jacket that’s too big for him
and the woman is wearing dark lipstick and has a flower in a thing on her wrist like the girls wear to prom.
He wants to go get Marletta and bring her here. He has the crazy thought that she could explain it to him, act as a guide somehow to the kind of life where people get old together and have kids and grandkids. He reaches into his thin coat and brings out a pint of 151 and quietly unscrews the cap and takes a small sip and makes a face. Something about the way the man’s arm touches the woman’s arm makes him think he could wake them up and ask them if him and Marletta could live here until she graduates and he turns eighteen and can get a job somewhere.
Finally he walks back out, passing Manny standing on a chair trying to get the star off the tree, fishing drunkenly with a fireplace poker and making a tinny musical clinking noise every time he hits one of the ornaments. Ray doesn’t say anything, just goes back to the window and is climbing out when Manny sees him caught in the yellow glare of headlights, and as Ray lets himself down onto a dead azalea bush, he can hear his friend whisper, “Man, what’s wrong?”
Manny dropped him back at his house at about five. Ray jumped out of the van and kept his hand stuck in his