The Fata Morgana Books by Jonathan Littell, Charlotte Mandell Page A

under the thin cloth of the panties; she fluffed out her hair with her hands and smiled wide, young, splendid, and proud. I didn’t say anything, happy simply to look at her. “Boor!” she repeated, still laughing. She opened the bathroom door and busied herself near the enamel bathtub; water gushed out from the big white faucets. I watched her through the half-open door: she straightened up, took off her panties, lifting first one foot, then the other; then she disappeared from my sight and I heard a liquid tinkling, softer and shriller than the jet gushing out of the faucets. As the sound continued I let my gaze wander over the photographs covering the walls. There were some strange images: a pregnant woman walking proudly in front of soldiers standing at attention; a crowd of men massed together, fists raised, each with a striped cover tied across his shoulder; two men in black suits standing in front of a hedge, multicolored umbrellas raised above their heads, the lower part of their faces covered with surgeons’ masks. One of the images in particular held my attention: an Asiatic soldier, in the midst of a crowd wearing old-fashioned oriental outfits, was completing a sweeping movement with his sword as the head of a condemned man kneeling in front of him lifted from his shoulders, in a thick spurt of blood. It was the perfect capture of a twofold instant, carried out like a sport: the one where the blade slices through the neck with a perfected gesture, synchronized with the one when the finger of the photographer presses the shutter release, the moment of the execution articulated with the moment of the creation of the image, the dreamed-of, unprecedented, fully achieved image, in all its banal repetition (for there were hundreds of such images, as I knew well), of the instant of a man’s death. Still perched on the shoulders, the head hesitated, the mouth deformed in a silent cry and the eyes closed to the unfathomable fact, just as the condemned man’s life hesitated, still and forever suspended in the brief click of the shutter. The girl, naked, had emerged from the bathroom, and was idling in front of the bed vigorously brushing her teeth, like a little girl, a thin film of white foam on her lips. She glanced over at me, smiled through the foam, then returned to the bathroom. I finished my cigarette while gazing once again at the image of the decapitated Chinese man, then went to join her. She was already lying in the bathtub; the water, still agitated, blurred the lines of her body; only her narrow face and the tips of her breasts rose above the bluish water. “Yes, you are beautiful,” I sadly acknowledged as I sat on the edge to test the temperature of the water.
* * *
When it came down to it, I liked this girl. She was cheerful, light-hearted, she said yes to everything. But something in her always escaped me. In my arms, naked, she trembled like a bird flapping its wings, my gestures drew from her body long sighs that became stifled moans, but no matter how much I touched her, caressed her, spread her supple limbs to burrow into her, I never managed to grasp her, and the feeling of her constantly slipped between my fingers. I came too, in long whitish streams on her golden skin, then I lay down next to her, gathered her in my arms, slept a little; when I woke up, everything began again, without end, without conclusion, without appeasement. When we spoke, she answered me laughing, with words as light as her, not really empty, but without any consistency, like a pleasant punctuation to my statements. We ate whatever fell into our hands, in bistros or diners chosen at random; I swallowed the dishes with appetite but without discernment, to regain my strength before I brought her back to the room. As for her, everything was the same to her, she took her pleasures without concern, in the lightness of the moment, at once greedy and indifferent. But she couldn’t tell me anything, and I could never be sure of