a choice now: storerooms or house? And a stable? He told two men-at-arms to find the stable and stand guard on whatever horses were there, then he kicked in the house door and led his six remaining men into the kitchen. Two women screamed. He ignored them; they were old, ugly servants and he was after richer things. A door led from the back of the kitchen and he pointed one of his archers towards it, then, holding his sword ahead of him, he went through a small dark hall into a front room. A tapestry showing Bacchus, the god of wine, hung on one wall and Sir Simon had an idea that valuables were sometimes hidden behind such wall-coverings so he hacked at it with his blade, then hauled it down from its hooks, but there was only a plaster wall behind. He kicked the chairs, then saw a chest that had a huge dark padlock.
'Get it open,' he ordered two of his archers, 'and whatever's inside is mine.' Then, ignoring two books which were of no use to man or beast, he went back into the hall and ran up a flight of dark wooden stairs.
Sir Simon found a door leading to a room at the front of the house. It was bolted and a woman screamed from the other side when he tried to force the door. He stood back and used the heel of his boot, smashing the bolt on the far side and slamming the door back on its hinges. Then he stalked inside, his old sword glittering in the dawn's wan light, and he saw a black-haired woman.
Sir Simon considered himself a practical man. His father, quite sensibly, had not wanted his son to waste time on education, though Sir Simon had learned to read and could, at a pinch, write a letter. He liked useful things — hounds and weapons, horses and armour — and he despised the fashionable cult of gentility. His mother was a great one for troubadours, and was forever listening to songs of knights so gentle that Sir Simon reckoned they would not have lasted two minutes in a tourney's mêlée. The songs and poems celebrated love as though it was some rare thing that gave a life enchantment, but Sir Simon did not need poets to define love, which to him was tumbling a peasant girl in a harvest field or thrusting at some ale-reeking whore in a tavern, but when he saw the black-haired woman he suddenly understood what the troubadours had been celebrating.
It did not matter that the woman was shaking with fear or that her hair was wildly awry or that her face was streaked with tears. Sir Simon recognized beauty and it struck him like an arrow. It took his breath away. So this, then, was love! It was the realization that he could never be happy until this woman was his — and that was convenient, for she was an enemy, the town was being sacked and Sir Simon, clad in mail and fury, had found her first.
'Get out!' he snarled at the servants in the room. 'Get out!'
The servants fled in tears and Sir Simon booted the broken door shut, then advanced on the woman, who crouched beside her son's bed with the boy in her arms.
'Who are you?' Sir Simon asked in French.
The woman tried to sound brave. 'I am the Countess of Armorica,' she said. 'And you, monsieur?'
Sir Simon was tempted to award himself a peerage to impress Jeanette, but he was too slow-witted and so heard himself uttering his proper name. He was slowly becoming aware that the room betrayed wealth. The bed hangings were thickly embroidered, the candlesticks were of heavy silver and the walls either side of the stone hearth were expensively panelled in beautifully carved wood. He pushed the smaller bed against the door, reckoning that should ensure some privacy, then went to warm himself at the fire. He tipped more sea-coal onto the small flames and held his chilled gloves close to the heat.
'This is your house, madame?'
'It is.'
'Not your husband's?'
'I am a widow,' Jeanette said.
A wealthy widow! Sir Simon almost crossed himself out of gratitude. The widows he had met in England had been rouged hags, but this one…! This one was different. This one was a
MR. PINK-WHISTLE INTERFERES