itâs about the movie,â she was saying, âI canât tell you a thing. Mike says the film will be released to the press as soon â¦â
âItâs not about the film, Janice. Weâll have to get into that when I get back. I called to tell you that Iâm staying over in L.A. for a day at least. I want to get more background about Ryker. You know, under-the-fingernail stuff.â
âWhy L.A., Norman?
âI want to get in touch with Jerry Blaine. Heâd be the man with the dirt.â
âI donât doubt it,â she said stiffly. âYou know, Norman, this article is bringing you down to pigsty level. First murder and now Jerry Blaine.â
We agreed to meet at the Hotel Rooseveltâs âCinegrill.â I fumbled onto a stool, ordered a bloody mary, and waited for my eyes to dilate.
The bartender swabbed a towel amidst the ashtrays and pretzel bowls. The towel shambled my way. Whatâya think of the Rams game? I didnât. His eyes registered mild befuddlement. He retired to his corner, drying glasses.
I finished my drink and watched the tomato juice dregs drool down the side of the tumbler. I was about to order another when I saw Jerry come through the door.
Jerry Blaine is tubby, sixtyish, and bald. He has a humorous potato face and canny little eyes. The past forty years of his life have been spent searching through Hollywoodâs dirty laundry and saving souvenirs.
Jerryâs memory of ancient scum dates back to the Cenozoic Era. He can tell you about Fatty Arbuckleâs bizarre passions and the strange death of Thomas Ince. Or which current popular leading man began his screen career sword swallowing in gay loops.
In the good old days, legend has it, Cohn, Warner, and Zanuck all paid Jerry hush money to keep their stars out of trouble. Now he sells tidbits to low-class fan mags and tabloids. The kind of stories where everyone is known as âMr. or Miss Xâ and all the people in the photos have black dominoes across their eyes.
We shook hands, and I could see Jerry scanning his memory banks. Norman Hall: Whatâs in my file? What past sins are hidden from public view?
Synapses clicked in his brain. Jerry smiled comfortably.
âNorman, you old bastard!â He slapped my shoulder and popped onto the bar stool. âI never thought Iâd see you back in town. Howâs Jan?â
âKeeping the home fires burning.â
âYeah?â He flagged the bartender. âYeah, I guess she wouldnât want to come back here. Not after the way Mayer and Schary chewed your ass and sent you packing.â He turned his head. âHey, Jed! Jack Daniels straight!â
âSure, Jerry.â The shot glass slid down the counter. He snapped the whiskey into his throat. For a second I thought he had swallowed the glass. He made a great shuddering face, then blinked owlishly at me. âI knew youâd never make it out here as a screenwriter. You lacked the necessary well-fed eunuch look.â
âJerry, donât try to bait me with that what-price-Hollywood routine. I was at Metro exactly three months, writing the first draft for From the Ashes . They took the script and threw it in a pot that every hack on the lot peed in. I packed my bags and never looked back.â
âSo speaks His Holiness. The picture made a lot of bucks at the box office, you know.â
âYeah. Tab Hunter and Mona Freeman really pulled them in.â
He laughed shortly, looking over his shoulder. âMy place is down the street, just off Cahuenga. Whatâya say we head down there?â He pointed at the walls. âThis dumpâs no place to do business.â
âFine by me.â I let Jerry lead the way.
Twenty years ago the architect of the Casa Alfredo tried to give the building the flavor of an old Spanish inn. Now it resembled one of Mexicoâs more inhospitable prisons. The stucco-adobe was peeling in big