as if sheâs embarrassed by them. Theyâre short and low cut. Nancy quickly folds them and puts them in Ericaâs suitcase.
âIâm not sure about those dresses, Nancy. Theyâre a little bit casual and . . . revealing. Maybe a pantsuit would be better.â
Nancy doesnât look her in the eye, and her expression is rueful. Or is it fearful? Rosario just looks glum. Thereâs a long pause, and then Nancy says, âLet me see what I can do.â
The two women leave. Moments later her phone rings. âThis is Erica.â
âHi, Erica, itâs Nylan.â
She sits up straight, instantly on red alert.
âI just wanted to wish you luck with Barrish.â His tone is friendly, supportive.
âIâll do my best.â
His tone does a one-eighty and he says condescendingly, âI sure as hell donât pay people to do anything but their best.â
âUnderstood.â
âIâm counting on you to land this, Erica.â
âNylanâs main management tool is fear.â
âI donât want to disappoint myself, either,â Erica says.
âGood girl.â
Did he call her girl ? Just as sheâs leaving to interview Kay Barrish? The irony.
âListen, Erica, Los Angeles is looks-obsessed. I think you should wear a flattering dress to meet Barrish.â
Erica looks over at the suitcase with the two dresses, and Nancyâs sheepishness suddenly makes sense.
âDonât hide your assets.â Now his voice is calm and businesslikeâtoo calm, too businesslike, and is there a slight leering edge? It doesnât feel like advice, or even a requestâit feels like an order.
âI donât think a woman of Kay Barrishâs stature is going to be judging me on what Iâm wearing.â
âYouâre representing my network, Erica.â
âI better get moving or Iâll miss my flight.â
â Donât disappoint me, Erica.â
Erica leaves the dresses in the suitcase and zips it up. Her car for the airport is arriving in twenty minutes. She picks up the phone to call Mark Benton and see if he has anything new on the ferry crash. Then, remembering the glasses on her desk and the tone in Nylanâs voice, she hangs up. She grabs the suitcase and heads for the elevators.
CHAPTER 15
ERICA LOOKS AT THE ELEVATOR â S control panel. She hears Gregâs voice: âLet it go . Letâs move on.â Then she hears Archie Hallowellâs, fierce with passion, quoting Shakespeare: âTimeâs glory is to unmask falsehood and bring truth to light.â
Bring truth to light. Watched or not. Threatened or not.
Erica presses the button marked 3.
As the elevator descends, she says the Serenity Prayer. The doors open. Erica gets off and heads down the hall, suitcase in tow. Mark Benton is in his office, and sheâs surprised to see his face isnât inches from the computer screen, but buried in a windsurfing magazine.
âMark, do you have a minute?â
He puts down the magazine. âSure, itâs a slow day.â
She steps into the office and closes the door behind her. âIâm going to cut right to the chase.â She lowers her voice, almost to a whisper. âWould it be possible for you, hypothetically, to get into the Staten Island ferryâs computer system and figure out what happened that day?â
âOh sure, no problem. I havenât committed any felonies lately. Seriously, it would be very difficult. Just speaking hypothetically.â
âOf course.â
They exchange a small smile as Markâs eyes light up and he swivels to his computer screen.
âThanks for the information,â Erica says.
âI have no idea what youâre talking about,â Mark says, already punching keys.
Erica starts to leave, then turns. âYou windsurf?â
Without taking his eyes off the screen, Mark smiles. âYeah. Iâm going out on