were pulled out of the tapestries. The unravelled men screamed.
All moons revealed. We had the words.
STAN RICE
from "The Words Once" Whiteboy (1976)
SHE WAS A TALL CREATURE, CLAD IN BLACK, WITH only her eyes uncovered, her strides long as she moved with inhuman speed up the treacherous snow-covered path.
Almost clear this night of tiny stars in the high thin air of the Himalayas, and far ahead-beyond her powers of reckoning distance-loomed the massive pleated flank of Everest, splendidly visible above a thick wreath of turbulent white cloud. It took her breath away each time she glanced at it, not only because it was so beautiful, but because it was so seemingly full of meaning, though no true meaning was there.
Worship this mountain? Yes, one could do that with impunity, because the mountain would never answer. The whistling wind that chilled her skin was the voice of nothing and no one. And this incidental and utterly indifferent grandeur made her want to cry.
So did the sight of the pilgrims far below her, a thin stream of ants it seemed, winding their way up an impossibly narrow road. Too unspeakably sad their delusion. Yet she moved towards the same hidden mountain temple. She moved towards the same despicable and deceiving god.
She was suffering from the cold. Frost covered her face, her eyelids. It clung in tiny crystals to her eyelashes. And each step in the driving wind was hard even for her. Pain or death it couldn't cause her, really; she was too old for that. It was something mental, her suffering. It came from the tremendous resistance of the elements, from seeing nothing for hours but the sheer white and dazzling snows.
No matter. A deep shiver of alarm had passed through her nights ago, in the crowded stinking streets of Old Delhi, and every hour or so since had repeated itself, as if the earth had begun to tremble at its core.
At certain moments, she was sure that the Mother and the Father must be waking. Somewhere far away in a crypt where her beloved Marius had placed them, Those Who Must Be Kept had stirred at last. Nothing less than such a resurrection could transmit this powerful yet vague signal-Akasha and Enkil rising, after six thousand years of horrifying stillness, from the throne they shared.
But that was fancy, wasn't it? Might as well ask the mountain to speak. For these were no mere legend to her, the ancient parents of all blood drinkers. Unlike so many of their spawn, she had seen them with her own eyes. At the door of their shrine she had been made immortal; she had crept forward on her knees and touched the Mother; she had pierced the smooth shining surface that had once been the Mother's human skin and caught in her open mouth the gushing stream of the Mother's blood. What a miracle it had been even then, the living blood pouring forth from the lifeless body before the wounds miraculously closed.
But in those early centuries of magnificent belief she had shared Marius's conviction that the Mother and Father merely slumbered, that the time would come when they would wake and speak to their children once again.
In the candlelight, she and Marius had sung hymns to them together; she herself had burnt the incense, placed before them the flowers; she had sworn never to reveal the location of the sanctuary lest other blood drinkers come to destroy Marius, to steal his charges and feast gluttonously on the original and most powerful blood.
But that was long ago when the world was divided among tribes and empires, when heroes and emperors were made gods in a day. In that time elegant philosophical ideas had caught her fancy. She knew now what it meant to live forever. Tell it to the mountain.
Danger. She felt it again coursing through her, a scorching current. Then gone. And then a glimpse of a green and humid place, a place of soft earth and stifling growth. But it vanished almost immediately.
She paused, the moonlit