like a mouse hoards grain. Please remember that my mother was very beautiful, though perhaps not so beautiful now, as her silence had found an echo in some bleak thin cloth that seemed to be pulled over the skin of her face. She was like a painting with its varnish darkening, obscuring the beauty of the work. Because her lovely green eyes were dying in their lights, something of her essential self was vanishing also. But still in her general outline any artist would have been content with her I think, if Sligo had had artists, which I doubt if it had, unless it was fellas painting the faces of the Jacksons, the Middletons and the Pollexfens, who were the better people in the town.
My father was not obliged to work on Christmas eve, and it was our delight to go to the service, given by the minister Mr Ellis in his neat old church. My mother came with us silently, small like a monk in her shabby outdoor coat. I remember the scene so well, the small church lit with candles, and the Protestant people of the parish, poor and not poor and wealthy enough, gathered there, the men in their dark gaberdines, the women if they could manage it with a dash of fur about the neck, but mostly, the sombre green tones of those days. The light of the candles pierced everywhere, into the lines of my father's face as he sat beside me, into the stones of the church, into the voice of the minister as he spoke his words in that mysterious and stirring English of the bible, in through my own breastbone, right into my young heart, piercing me fiercely there, so that I wanted to cry out, but cry out what I could not say. Cry out against my father's fate, my mother's silence, but also, cry out in praise of something, the beauty of my mother that was going but still there. I felt as if my mother and my father were in my care, and that it was by some action of my own that they would be rescued. For some reason this plumped me up with sudden joy, a feeling so scarce in that time, so that when the local voices began to sing some forgotten hymn, I began to flush with weird happiness, and then in the sparkling dark, to cry, long full hot tears of treacherous relief.
And I cried there, and I suppose little good it did anyone. The smell of the wet clothes all about me, the coughing of the church-goers. What would I give to put them back in that church, back in that Christmas time, put everything back that time soon took away, as time must, the shillings back in the pockets of the people, the bodies back in the long johns and the mittens, everything, everything back, so we might be balanced there, kneeling and sitting on the mahogany planks, if not eternally then again for those moments, that very inch of the material of time, the lines of my father's face accepting the glimmering light, his face slowly slowly turning to both my mother and me, and smiling, smiling in easy, ordinary kindness.
The next morning my father produced for me a beautiful segment of what I learned later was called costume jewellery. All girls going out in Sligo liked to sport a bit of 'magpie' glitter. I like other girls dreamed of the fabled magpie's nest, where brooches and bracelets and earrings would be found, a nest of lovely plunder. I took my father's gift and opened its silvercoloured pin and pinned it on my cardigan, showed it proudly to the piano and the motorbike.
Then my father handed my mother the great something wrapped in good shop paper, the sort that in older days she would have saved and folded and put in a drawer. She opened the packet quietly, and gazed on the speckled scarf folded itself within, and raised her face and asked:
'Why, Joe?'
My father had not the least idea what she meant. Was it the pattern was wrong? Had he failed in the task of buying a scarf in some manner he would not be aware of, for who would tell him, the rat-catcher, about women's fashions?
'Why? I don't know, Cissy. I don't know,' he said, valiantly. Then, suddenly, he added, as if on an