The Wanderer by Fritz Leiber

shuddering sledge strokes at the end. Gravel pattered. A grain stung Paul's cheek. There was a puff of gritty air. Suddenly the smell of raw earth was very strong.
    "Come on!" Hunter yelled. "Some of them were caught!"
    But Paul first looked upward again at the uprearing yellow figure on the purple orb now perceptibly nearer the moon.
    Tyrannosaurus Rex!
     
    Pershino Square is a block of little fountains and neatly manicured greenery roofing a municipal garage and atomic shelter in the heart of old Los Angeles, where the signs read "Su credito es bueno" more often than "Your credit is good."
    Tonight the winos and weirdies and anonymous wayfarers who, next to the furred squirrels and feathered pigeons, are the Square's most persistent inhabitants, had something more exciting to observe than the beards of Second Coming preachers and the manic gesticulations of threadbare lecturers.
    Tonight the inhabitants of Pershing Square spilled into Olive Street at the corner of Fifth, where a bronze statue of Beethoven broodingly faces the Biltmore Hotel, Bunker Hill, and the Baptist Auditorium which serves as one of the city's chief theaters. Their lifted faces were bright with Wanderer-light as they silently stared south at the monstrous sign in the heavens, but Beethoven's visage remained introspectively in the shadow of its great brow and hair-mop as he peered down at his half-buttoned vest whitened with pigeon droppings.
    There was a momentary intensification of the awed silence, then a faint distant roaring. A woman screamed, and the watchers dropped their gaze. For a long moment it looked to them as if black ocean were coming toward them up Olive in great waves crested with yellow and violet foam—great black waves that had traveled all the twenty miles north from San Pedro along the Harbor and Long Beach Freeways.
    Then they saw that the waves were not black water but cold black asphalt, that the street itself was surging as great earthquake shocks traveled north along it. In the next instant the roaring became that of a hundred jets, and the asphalt waves tossed the watchers and broke up the walls of the buildings around them in a stone and concrete surf.
    For a second an infinitely sinister violet light flashed from the deep eyesockets of the giant metal Beethoven, as he slowly toppled over backwards.
     
    The saucer students had trouble enough coping with the results of the fringe reverberation of the big Los Angeles-Long Beach quake. After the thin woman and two others had been half dug, half pulled out of their light entombment in the edge of the landfall, a hurried count showed three others still missing. There followed a frantic ten minutes of digging, mostly with two bright-bladed shovels that the Little Man had produced from the back of his station wagon, which was solidly buried only as far as the rear wheels and its top dented in only about a foot Then someone remembered the red sedan that had left ahead of the rest; and someone else, that it had been the one in which the three missing people had arrived.
    While the diggers caught their breath, Paul, whose convertible was hopelessly buried, explained his connection with the Moon Project and his intention of making with Margo for the beach gate of Vandenberg Two, and he offered to take anyone along with him who wanted to come and to vouch for them to the guards—their obvious distress in any case ensuring admission.
    Doc enthusiastically endorsed this suggestion, but it was opposed by a thick-armed man wearing a leather windbreaker and named Rivis, who had a very low opinion of all military forces and the degree of helpfulness to be expected of them—and whose car had only its radiator and front wheels dirt-encumbered. Rivis, who also had four cute kids, a swell little wife, and an hysterical mother-in-law—all of them in Santa Barbara—was for digging out and getting home.
    Rivis was seconded by the owners of the microbus and the white pickup truck, both only