The Wonder Effect by Frederik Pohl

nap.
    A monstrous smashing sound awakened me. No one was about. I ran out, thrusting aside the tent flap and there, over a hill, through the interstices of the trees, I saw a huge and angry cloud./! don’t know how to describe it; I have never since seen its like, and pray God the world never shall again until the end of time.
    Five miles away it must have been, but there was heat from it; the tent itself was charred. Tall it was-I don’t know how tall, stretching straight and thin from the ground to a toadstool crown shot with lightnings.
    The natives came after a tune, and though they were desperately afraid, I managed to get from them that it was Herr Faesch’s mine that had blown up, along with Herr Faesch and a dozen of themselves. More than that, they would not say.
    And I never saw one of them again. In a few days, when I was strong enough, I made my way back to the river and there I was found and helped-I have never known by whom. Half dazed, my fever recurring, I remember only endless journeying, until I found myself near a port.
    Yes, there was explosion enough for any man.
    That whippersnapper Wells! Suppose, I put it to you, that some such “radium bomb” should be made. Conceive the captains of Kaiser Will’s dirigible fleet possessed of a few nuggets apiece such as those Herr Faesch owned half a century ago. Imagine them cruising above the city of London, sowing their dragon’s-teeth pellets in certain predetermined places, until in time a sufficient accumulation was reached to set the whole thing off. Can you think what horror it might set free upon the world?
    And so I have never told this story, nor ever would if it were not for those same Zeppelin dirigible balloons. Even now I think it best to withhold it until this war is over, a year or two perhaps. (And that will probably make it posthumous-if only to accommodate Shaw-but no matter.)
    I have seen a great deal. I know what I know, and I feel what I feel; and I tell you, this marvelous decade that stretches ahead of us after this present war will open new windows on freedom for the human race. Can it be doubted? Poor Bagley’s letters from the trenches tell me that the very poilus and Tommies are determined to build a new world on the ruins of the old.
    Well, perhaps Herr Faesch’s nuggets will help them, these wiser, nobler children of the dawn who are to follow us. They will know what to make of them. One thing is sure: Count Zeppelin has made it impossible for Herr Faesch’s metal ever to be used for war. Fighting on the ground itself was terrible enough; this new dimension of warfare will end it. Imagine sending dirigibles across the skies to sow such horrors! Imagine what monstrous brains might plan such an assault! Merciful heaven. They wouldn’t dare.
     
     
    BEST FRIEND
     
    Moray smoothed his whiskers with one hand as he pressed down on the accelerator and swung easily into the top speed lane. Snapping the toggle into a constant eighty-per, he lit a meat-flavored cigarette and replaced the small, darkly warm bar of metal in its socket. He hummed absently to himself, Nothing to do after you were in your right lane – not like flying. He turned on the radio.
    '—by Yahnn Bastion Bock,' said the voice. Moray listened; he didn't know the name.
    Then there breathed into the speeding little car the sweetly chilly intervals of a flute-stop. Moray smiled. He liked a simple melody. The music ascended and descended like the fiery speck on an oscillograph field; slowed almost to stopping, and then the melody ended. Why, Moray wondered plain-lively, couldn't all music be like that? Simple and clear, without confusing by-play. The melody rose again, with a running mate in the oboe register, and like a ceremonial dance of old days they intertwined and separated, the silvery flute-song and the woody nasal of the oboe. The driver of the little car grew agitated. Suddenly, with a crash, diapasons and clarions burst into the tonal minuet and circled