reach into the basket and bring out the dried fish. Even this much movement may cause her to spring forward.
Father, John, Motherâfarewell. I have loved thee much. And Grace, Suzanne, Richard .
âIf thou shall not leave, have this!â
Her mouth opens as she sniffs the air. Quickly, I toss the fish. It lands near her forelegs, and she lowers her head to it. When she settles on her haunches and begins tearing at it, I grab up my basket and run.
Down, down past the springhouse. Down past the oaks and into our cabin.
Inside, I am shaking hard as any forest of leaves. Quite awhile later I notice all the black walnuts, still in the basket.
I look up at the Kentucky rifle above our mantle.
But she has spared my life, and so I shall spare hersâby saying nothing.
âTake much care with this, Rachel. Thou knowest not what all has gone into the making of it. And there be two others to carry over as well.â
With small unsteady hands, Rachel takes the large platter. I watch that she doesnât stumble and fall with it. Herdoing so would hurt me more than the noblesâ not knowing who made it.
âTis true, how much does go into the making of a thing. Thought and feeling and effort and sometimes danger, too. And so the thing finally becomes all of that, and is good.
After feeding our animals, John and I stand outside awhile, listening to music coming from the marquisâs cabin near the center of the clearing. âTis wondrous, truly! Like rushing water. Or the swirl of stars at night.
âDost thou think they be dancing?â John asks.
âThere may not be enough room for dancing.â
âDost thou think it be a hard thing to learn?â
âDancing? I think thou, John, do harder things every day.â
âI believe not.â
âJohn, âtis mere amusement.â
âAye.â
âDost thou wish to dance?â
âNay.â
âIt is for those who, unlike us, have little else to occupy them.â
âAye.â
âImagine, though, being able to make such music! That must take much time to learn.â
His arms hang at his sides. He stares in the direction of the cabin. âDost thou think she is there, Hannah?â
âWho, John?â
âMademoiselle de La Roque.â
âShe may well be.â
âYou say she talks to thee now, sometimes?â
I begin to understand. âAh, John,â I say finally. âThou art a foolish boy if thou thinksââ
âI think nothing!â Quick, he turns and enters our cabin. I follow him and offer apology for calling him foolish.
âNay,â he says, âthou art right, Hannah.â
I say nothing further, for Johnâs eyes shy from mine.
Father tells us how the marquis devised a clever planâthe French families again drew lots to see when their time of calling upon Mr. Talon might be. They liked this idea, Father says. They are used to games of chance. âFor them âtis like the spices in your cake, Hannah.â
It is near eleven when Rachel returns with our platter, plates, and stewpot, everything clean. âI thank thee, Rachel.â
âOh, your cakes, Hannah, they be greatly received. The French want to know who made them! Talon tells them you, Hannah! At least he be honest, no? He says to tell you if only you might curtsy half so well, you could name your price with any of the French families. Imagine! Yeâd be rich, Hannah, anâ I wouldnât need tâwork so hard. They want so much all the time, I can noways keep up. Anâ they always complain no matter how good I go anâ do a thing.â
âRachel, âtis a foolish custom. To curtsy. But more, âtis wrong.â
âDo you set yourself above them, then?â
âNay. They set themselves above us.â
âMy father says that you Quakers be too big for yer britches, Hannah Kimbrell, and goinâ for a fall. All you Kimbrells.â
Surely
The Cowboy's Surprise Bride