the sliding glass door across the living room. To the right was the front entrance and a suspended stairway that made one turn up to the hallway and two bedrooms. Beyond the stairway the door to the den was closed.
He called out, âCini?â
Usually music was playing and in the silence the place seemed empty. But she was here because her car was in the garage. Probably in the shower. He listened another moment before going back into the kitchen to the wall phone.
The sound of the plant came on with the voice answering and he said, âThis is Mr. Mitchell, see if you can find Vic for me, will you?â
The ice bucket wasnât on the counter. Usually there were the ice bucket and two glasses, ready. Maybe at other times when he came in they werenât on the counter, but tonight he was aware of it.
âVic, itâs Mr. Mitchell. Iâm not going to be back today . . . . No, Iâm tired. Son of a bitch has four vodka martinis, shish kebab, coffee and three stingers. We go back to his office and I have to listen to all this shit about delivery dates.â
He was patient for almost a minute, leaning against the counter now, at times nodding, looking at the window over the sink where a stained-glass owl hung from the shade string.
âVic, Iâll tell you what. You call on the customersand eat the lunch every day, Iâll run the shop . . . . Victor . . . All right, you got a problem, but we know weeks ahead when we have to deliver, right? We take into account the chance of screw-ups, breakdowns and acts of God. But, Victor, we deliver. We deliver, we pay our bills and we always take our two-percent ten days. Thatâs what we always do, as long as Iâve been in business. If youâve got a machine problem then fix the son of a bitch, because Iâll tell you something, Iâm not going to go out every day and eat lunch, Vic, and run the shop too. You see that?â
He listened again, giving his plant superintendent equal time. âAll right, Iâll talk to you first thing tomorrow . . . . Right . . . All right, Vic. Listen, if anybody wants me Iâm there, Iâll call them back, right . . . . Okay, so long.â
He hung up, took time to light a cigarette and dialed his home. Waiting, he was thinking he could have handled that a little better with Vic, not sounded so edgy.
âBarbara, how you doing? . . . No, Iâm back at the plant. Finally. Spent the afternoon at the Tech Center . . . . No, you better go ahead, Iâll probably be late. Vicâs got a problem I have to look into . . . . I know it. Thatâs what I told him. But getting somebody else doesnât turn out a job thatâs due tomorrow. Listen, if you want me foranything and my night line doesnât answer, Iâm back in the shop somewhere. Leave a message, Iâll call you . . . . Okay, see you later.â
He wasnât finished with the cigarette, but didnât need it now and stubbed it out as he hung up.
In the living room he turned on a lamp. He liked the furniture, all the orange-and-white stuff and abstract paintings and plants that were like trees. He had paid a decorator to pick them out and they were his. He was finally starting to get used to the place; though he still had the feeling, most of the time, he was in a resort hotel suite or someone elseâs house. At the foot of the suspended stairway he looked up and called the girlâs name again.
âCini?â
He waited, âHey, lady, Iâm home!â
It sounded strange. He said it and could hear himself, but it sounded strange, not something he would say. He stood there, listening.
But the sound he heard, finally, did not come from upstairs. It came from the den, the faint, whirring sound of a motor, and he looked toward the closed door.
He identified
Frances and Richard Lockridge