question, it seemed to demand confirmation.
âNo.
âAnd if we talk?â
âIâm just trying to track down some nasty rumors,â Carly said.
âInvolving me?â
âPerhaps.â
âCome in,â he said, stepping aside.
The room she stepped into was, in fact, set up as a small gallery. Aside from the sixteen large, flat cartons leaning against the far wall, the place was neat and clean, ready for visitors. Even the cartons were neat, stacked in groups of four, probably containing frames for large photographs or the photographs themselves. Black and white photographs were on the wall. She recognized a photograph of the old hungry i, an old hardware on Grant she remembered from her childhood, the Condor Club when Carol Doda was its headliner, and a place called the Black Cat.
âWhere is the Black Cat?â
âNowhere now,â he said. âClosed in the early sixties. One of my first shots. Queer place, but everybody went there. It was over on Montgomery near Columbus.â
She noticed photographs of places she knew â Caffe Trieste, City Lights Bookstore, Vesuvio, Tosca, the Savoy Tivoli, Caffe Roma long before it was refurbished. There were photographs of restaurants, many of them still there. But she was reminded how many had gone. She looked around for a photograph of her parentsâ place. Didnât see it.
âDid you ever photograph Paladinoâs?â she asked.
âYou that girl who used to fill up the water glasses?â
She nodded.
He seemed to soften. âIâll find that photograph for you when weâre done. Have a seat.â
There were three mismatched chairs. She chose one.
âWhat would you like to know?â he asked.
âWho hated him so much?â
âHe was not a likable guy,â Wiley said. âItâs kind of a cliché, but he was a complex person. I think he hated individual people but loved mankind. He was constantly disappointed with every cause he ever pursued and in every person he came to trust. They couldnât help but betray him in some way. Yet, he had this ability to attract people at the same time. The one thing he never lost was his passion for telling the truth.â
âAs he saw it,â Carly said.
Wiley nodded. âOf course.â
âWhat was your relationship with him?â
âWe remained friends, I think, mostly because I didnât talk much. I listened. I took âpicturesâ, as he used to say. Heâd love it when I photographed him. He used to tell me that I was the only one who told the truth.â
âIs that right?â
âI let the camera talk.â
âNo portraits up there. I read you photographed some of the greats from the Beat era.â
âI did.â
âYou donât have any up on the walls.â
âI donât have a lot up on the walls.â
âI understand you have a big show coming up.â
For a moment, his stare was cold. âWho told you that?â
âThe people at Reed Fine Arts.â
âYeah, well. I do, I guess.â
âNew work?â
âNever before seen,â he said. He was uncomfortable.
âAre those for the show?â she asked, pointing to the sixteen cartons against the wall.
Wiley looked nervous. âWhat is it you want?â he asked.
âCan I get a sneak preview?â
âNo.â
âMrs Wiley, who might be either angry enough to kill him or so ashamed of something theyâd kill him to keep him quiet?â
âI donât like the question.â
âYouâre not going to answer it?â
âNot my business,â he said.
âPolice may want to talk to you,â she said. It was not so veiled a threat, but Wiley had thought through it.
âCanât do anything about that, I guess.â
She got very little else. Wiley only had nice and very general comments about the folks on the list, except for two, and he
Stan Berenstain, Jan Berenstain
Doris Pilkington Garimara