Dreams in a Time of War

Dreams in a Time of War by Ngugi wa'Thiong'o Page A

Book: Dreams in a Time of War by Ngugi wa'Thiong'o Read Free Book Online
Authors: Ngugi wa'Thiong'o
glances, and we bonded regarding the scene before us. Everything was a revelation. There was this huge compound covered with grass that had been cut and trimmed low with nice well-defined paths that connected the various buildings, a contrast to our compound of sand and dust. The main house was a four-cornered building with walls of thick wood and a corrugated iron roof with drainage pipes leading to two tanks that collected rainwater at the corners. Separate from the main building was the kitchen, similarly built but smaller, with water draining into a smaller tank. I was a little disappointed that the party took place in the kitchen, spacious as it was, and not in the big house, but still the pile of jam sandwiches in huge containers made up for any shortcomings in location.
    I thought that after the long welcoming preliminaries and the discourse on the meaning of Christmas we would immediately be served the tea and the gleaming white bread sandwiches. Instead we were told to shut our eyes for prayer. My brother and I had never said prayers, let alone one for food. Food was there to eat not to pray over. And why close our eyes? Lillian started what to me sounded like an endless monologue to God. In the middle of it I opened my eyes to peep at the pile of sandwiches. I met my brother’s eyes doing the same. I quickly closed mine but after a while opened them again only to catch my brother doing the same. We knew exactly what the other was thinking about the endlessprayer that stood between us and the food. We could not help it. We giggled loudly. Lillian was not amused.
    Her eyes were cold, her tone chilly, as now she gave my brother and me a stern lecture on Christian etiquette. Her children had been trained in Christian ways, and they would never have done what we had done in the eyes of God, and if they had, she would not have allowed them to eat the bread or any food for days. But she would forgive us because, being heathens, we did not know any better. All the children’s eyes, including Njambi’s and Njimi’s, were on us. The desire for the bread disappeared. Humiliated, I stood up and walked away. My brother followed me, but not before he had grabbed a couple of sandwiches.
    I could not get relief by being angry with Lillian because deep inside I was ashamed of our behavior. Unchristian or not, what my brother and I had done was unbecoming. Besides, I still carried the memory of Lord Kahahu’s generous intervention in the healing of my eye infection. My mother held a similar view. While admonishing us for our bad behavior, she was clear that it had nothing to do with not being Christian. She also seemed to make a distinction between Lillian and her husband, and she encouraged me to forget the offending phrase “not brought up in Christian ways.” But the words would not go away. They were imprinted on my mind, and I was to hear them again after a clash between Kahahu and Baba Mũkũrũ.
    Baba Mũkũrũ’s house was antithetical to Kahahu’s. He was as confident in the ways of his ancestors as Kahahu was in the ways of his Christian ancestors. For him, tradition wassacrosanct. He and his children observed all the rites of passage, not only initiations from one phase of life to another but also forms of social education. It was in his house that I once witnessed the ceremony of being born again.
    Nyakanini, “Little One” as she was fondly known, was the last born of the girls of Baba Mũkũrũ with his second wife, Mbũthũ. She was much younger than I. At the age of six or so she was made to lie between her mother’s legs in a fetal position. Amid songs from the semicircle of a chorus of women, Mbũthũ reenacted pregnancy and labor. The chorus members were also participatory witnesses. Some of them played midwives and brought Nyakanini into the world a second time. Gĩtiro was a poetic operatic form of improvisations, call-and-response, challenge and counter-challenge, narration of conflict and

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