âDarwin and Rabbi, weâve got five packages coming in, contents unknown.â
Brando comms back, âRoger that.â The Rabbi doesnât answer. Hopefully heâs already gone.
I say, âThanks, Greta. Youâd better get out of here.â
Without another word, Greta spins her bike around, stands on the pedals, and presses as hard as she can.
I turn and hustle back to my partner. âDarwin,â I comm, âhow we doinâ?â
âThe Rabbiâs people are mostly away. Weâre packed up, but we have the element of surprise and Iâve got an idea.â
âSurprise? The Krauts found
us
, remember.â
âNot exactly,â he says. âThe Germans think theyâve found a camp of lightly armed runaway slaves with no military training.â
âRight, âcause thatâs what they
have
found.â
âThey donât know about you.â
âAhh, I see.â Goose bumps dance onto my arms. âYou want me to give âem the F.U.C.K.?â
Brando recites a line from our orders. ââYou shall create a chaotic and confused situation wherever possible.ââ
Story of my life.
âPlus,â he continues, âI think we can blame it on the Russkies. Theyâre the first people Germany blames for everything, anyway. Iâll ask my boss to falsify some comms reinforcing that tendency.â
âSounds good,â I comm. âLetâs do it.â
The German choppers are over our heads. They slow down to find a landing spot. Their rotors make the air thrum and the trees shimmy. Those helicopters are our main target. My challenge will be to wreck the machines and harm as few of the Wehrmacht troops as possible. The German press and public will eventually forgive anti-slave activists for destroying some pieces of war equipment. But if we kill any of these regular army dudes, itâll be a very different story.
Thereâs a natural clearing about a hundred yards north of where Brando has our gear stacked. One of the choppers circles the clearing to set up their approach. I dose a tall drink of Madrenaline and speed toward their intended landing zone.
I get there as one of the choppers touches down. Airmobile troops bound out from both sides and boogie to the tree line. A second helicopter floats down next to the first. More troops pour out, some before the skids even touch the ground. Officers bellow commands to their men and lead them to cover.
I approach the first helicopter from its rear, taking care to avoid the tail rotor. The second bird is to my left, so I cut right. I approach the right-side pilotâs door, rip it open, and punch the pilot square in his mouth. Then I flip open the buckle of his safety harness and drag him out by his head. I draw Liâl Bertha, climb into the aircraft, and riddle the control board in front of the pilotsâ seats with .30-caliber Explosives. This bird ainât goinâ nowhere.
I jab my pistol at the remaining pilot and bark, â
Raus! Schnell mutterfinken!â Get out, motherfucker!
I read âSCHMIDTâ printed on the pilotâs coveralls while he frantically unbuckles his harness. Pilot Schmidt throws himself out the door and runs toward the second chopper.
I chase Schmidt across the small clearing. The second birdâs engine whines up a full octave as Pilot Schmidt bounds on board. I hurl myself at the big side opening. The chopper takes off so fast the craftâs floor slaps up into my chest. My feet swing in the air for a moment until my toes find the landing skid. I push off and roll inside.
Herr Schmidt has seen more than enough of me and cowers in terror by the other main door. Up front, the pilot on the right draws his sidearm. Liâl Bertha sights in. One of her .45-caliber slugs carries away Pilot Rightâs pistol, pieces of his hand, and all of his moxie. The injured man screams while the mess at the end of his arm squirts
Louis - Sackett's 13 L'amour