. Heâs also been the unluckiest in the family. He was in jail for ten years.â
âWhat did he do?â
âMoney problems in the firm he worked for.â
âFraud?â
âAre we talking about Miguel or FermÃn?â
âMiguel, of course . . . But I need to know more. Who is Adrian, for example?â
âWhatâs he got to do with any of this?â
The Count effortlessly allowed patience to come to his aid. He had to wave his cape at the bull in each confrontation and, without goading, try to guide it to the right pen.
âNothing as far as I can see. But as he was with you today . . .â
âAdrian used to be my boyfriend, thousands of years ago. My first boyfriend,â and something seemed to loosen the moorings of millennial woman.
âYouâve carried on being friends?â
She almost smiled as she said: âFriends . . .? We havenât seen each other for ten years. I have nothing here, and nothing there either. But I like talking to him: Adrian is a calm man who reminds me of what I once was and makes me think of what I might have been. Thatâs all.â
âI understand the car your husband was driving belonged to your brother, FermÃn?â
âYes,â she replied, looking at the Count. âA â56 Chevrolet FermÃn inherited from an uncle of mine, one of my motherâs brothers. They confiscated the one the government gave him when he was jailed, in order to set an example . . . Is that the kind of thing you wanted to know?â
He lit a cigarette. It was pleasant being there, your back to the sea, opposite the Rampa, the night still young, in the company of that edible blonde. But a dead man floated on that still-becalmed ocean, like a dark, infinite mantle.
âThat and much more . . . For example, do you think your husbandâs death was prompted by another husbandâs jealousy or something of the sort?â
âAre you mad? That was no jealous husband, more like a savage who â â
âIt is a possibility though, isnât it?â
âNo, of course not. That wasnât Miguelâs style. He was more the romantic sort and besides . . . Well, recently he couldnât . . . if you get me?â
âPerhaps it was something that happened a long time ago and that he resurrected . . .â the Count continued, warming to Miriamâs confiding tone.
âIâve already told you it wasnât, but you can think whatever you want. Thatâs why youâre a policeman, even why they pay you to be one.â
âTrue, but not enough,â confessed the Count trying to relieve the tension before heading off in another direction. âAnd what other reason did Miguel have, apart from his sick father, to risk returning to Cuba after leaving the way he did?â
She looked him in the eye and the policeman saw such a profound gaze he could have lost himself in its pursuit.
âI donât understand you.â
He was now the one to sigh, looking for the least stony path. âI mean did he return to resolve something heâd left hanging when he defected . . . Or perhaps to salvage something very important that heâd left behind . . .â
âI see where youâre coming from. What sign are you?â
The Count breathed out before replying: âLibra . . . Is that what you wanted to hear?â
âAlmost. You seem more a Sagittarian.â
âBut Iâm a classic Libra, I swear to you . . . Was he after something?â
âLike what?â
âA very peculiar Matisse, for example. Or perhaps even a Goya. I donât know, something worth much more than a few Tiffany lamps . . .â
She turned her head to look at the sea for a moment. The sea was still there, she seemed to be confirming, before saying: âIf that was why he came, heâd have told me . . . And do you think Iâd tell you?â
âIâve no idea, it all
Newt Gingrich, Pete Earley
Cara Shores, Thomas O'Malley