crew. As the Hardys neared the gate, they had to pass a gauntlet of microphones.
âAre you working on the film? How involved was Mr. Buckmaster?â
âDid any of you talk to Buckmaster before he took his life?â
âHow did he seem?â
Frank and Joe just kept their heads down and pressed on. For Chet, although heâd spent the most time on camera, facing so many cameras at once seemed to bring on a case of stage fright.
Finally the boys got through. The three of them were happy to put the fence between them and the news vultures.
Willow Sumner and her friends were next to arrive. The three girls looked happy to be in front of the cameras. But Willow, Trisha, and Christyreally didnât have that much to say. They hadnât seen Buckmaster or his yacht. All they could describe was the sound of the explosion.
The cameras quickly turned on Andy Slack and Hal Preston when they arrived, but the boys met the reportersâ questions with silly grins.
As soon as Zack had everyone together, he led the group away from the gate to where Melody stood. She had what looked like a new set of clue packets.
âGood news, people.â The filmmakerâs face showed that he was pleased with himself. âI talked to the folks whoâll be going over Buckmasterâs assets. They said we can keep using the docks for a few more days. Sprock is already hiding the McGuffin. Melody has the clues. Weâre going to go for another round of Hide-and-Sneak, this time for two days. Whoever brings the McGuffin to the secret destination wins.â
Zack cleared his throat. âIf we have a tie, like what happened around Mr. Buckmasterâs yacht, weâll give the win to the team that holds on to the McGuffin the longest.â
Willow nodded. âThat sounds fair.â
Sure, Frank thought. Right now your team has the best record.
Naturally Andy Slack, who had never even got ahand on the McGuffin, disagreed. âWhy not do another round?â he said. âA tiebreaker?â
âWe really canât afford it,â Zack said.
âYour budget should look a lot better after selling that tape to AmericaNews,â Andy snarled. âYou might think about springing for a prizeâor paying us.â
âI can see you have no idea about how filmmaking works,â Zack said stiffly. âThe postproduction costsââ
Luckily a rather sandy Sprock Kerwin arrived, breaking the tension. The three filmmakers went into a huddle. Andy and Hal stood off to one side, scowling. Frank had to smile when he saw the girls gravitate toward the cameras. He laughed when he saw Joe follow the girls.
âTypical,â Frank said, turning to Chet.
âI didnât think Joe would be giving any interviews,â Chet said with a smirk.
Frank turned to see what Chet was talking about, then laughed louder. One of the newspeople had managed to catch Joe.
âToby Gregson,â she said, holding out a microcassette recorder. That stuck out in this high-tech crowd. So did the way she was dressed: jeans and a checked shirt. Her graying hair was long and frizzy, unlike the carefully coiffed reporters in front of the cameras.
Must be a newspaper reporter, Frank thought,moving closer to eavesdrop. Unlike the TV folks, Gregson asked some intelligent questionsâespecially when she learned Joe had been watching from the clifftop.
âDid you actually see Buckmaster board the Jolly Roger ?â
âWell, no,â Joe said. âWe werenât looking. But he had to be on the yacht, didnât he?â
Toby Gregson leaned forward for her next question. Her hair shifted, revealing her ear.
Frank couldnât believe what he saw. He swung around and walked past Chet, straight for the filmmakers.
Zack was annoyed at the interruption. âCanât you seeââ
âNo,â Frank cut him off. âThereâs something I need to see.â
He turned to Sprock.
Mercedes Lackey, Eric Flint, Dave Freer
David Sherman & Dan Cragg