as the type to use a car service for his airport trips— but I’d feel stupid if I missed something so obvious.
My next call was to Paul Gargosian, the vacationing doorman from Danes’s building. I’d found him in the book, too— the only Gargosian with an address on City Island, in the Bronx. Mrs. Paul Gargosian answered. She had a heavy Brooklyn accent, and she was friendly and forthcoming.
“Paulie’s away, hon, down in Sarasota the next couple weeks, with his brother, Jerry. They’re out on Jerry’s boat most of the time, and I don’t know when he’s going to call. You want to leave a number, maybe he’ll get back to you.” I gave her my number and thanked her.
Then I went to the kitchen, made two peanut butter and jelly sandwiches on wheat bread, and poured a tall glass of milk. I sat at my long table and opened up my laptop, picking up where I’d left off last night, reading the reports from the search services.
They held no easy answers. The apartment on 79th Street was Danes’s only real property; there was no weekend place in the Hamptons and no winter home in Florida; there was no summer cottage in Maine. He’d bought the apartment almost four years ago, and at the same time sold a place on 90th Street, in Carnegie Hill. He’d been in that place since the divorce, when he and Nina had agreed to sell the co-op they’d owned on Monroe Place, in Brooklyn Heights. And there was only the Beemer to look for; no other vehicles were registered to Danes, not in the fifty states anyway. There was, however, a long list of court cases and arbitration claims.
The search services had provided me with docket numbers, and now I was plowing through online court records and the SEC database for the details of each case. I hadn’t realized there were so many of them. Nor had I realized that, in addition to charging Pace-Loyette with wrongdoing, some made claims against Danes specifically. A lawyer named Toby Kahn represented Danes in the suits, and I spoke to his voice mail and asked him to call. It was slow going, and I hadn’t gotten through many cases when it was time for my meeting at Pace-Loyette. I added water to Jane’s tulips and headed out the door.
Pace-Loyette’s headquarters occupied eight floors of a tower at 52nd Street and Sixth Avenue, a block up from Radio City. The main reception area was on the twentieth floor and was done up like Mies van der Rohe’s rumpus room. The furniture was black leather, chromed steel, and sharp angles, the marble floors were bare and whiter than eggshells, and the walls were mostly glass.
The reception desk was a glass and steel sliver, nearly invisible edge on, and so was the receptionist. She was tall and thin and bloodless, with platinum hair and big gray eyes. Her dress was steel-colored silk, and she spoke softly and in a monotone. She bade me sit, and played her fingers across the keys of a slim phone and whispered into the handset. She put down the phone and looked at me and nodded, but the look and the nod were empty of meaning. In a while a young woman came to get me. She was small and nervous-looking.
I followed her onto the elevator, and off again on the twenty-fourth floor. We went to the left, past a waiting area with blocky leather chairs and glass end tables, and through a pair of glass doors. Everything beyond the doors— the carpet, the cubicle walls, the filing cabinets and furniture— was shades of gray. The cubicles were full of people talking on telephones and peering at computers. Their low voices merged into an ambient murmur, punctuated only by the soft tapping of keys. The young woman led me down a hallway to a door with Turpin’s name on it. She knocked sharply and pushed it open and I went in.
It was a corner office, square, with big windows and nice light and views west and north. I saw the CBS building across 52nd Street and a chunk of the Hilton across Sixth Avenue. The walls were white and the floors were covered in thick