King Blood by Jim Thompson

pleasantly, and told Arlie to lead the way. 'The marshal's office,' he said. 'I'll take care of my business later.' El Reno, the site of the Federal land lottery, rose from the prairie in a conglomerate mass of solid brick and rickety frame buildings, some of one-story and false front, others three or four floors in height; for this was both an old town, as time was measured in the Territory, and a new one. There were even some 'tent buildings' – structures made of canvas stretched over a framework of wood. And sprawling out over the gently rolling grassland, for almost as far as the eye could see, was a chaotic array of tents and shacks thrown up by the newcome settlers.
    The dusty streets were choked with covered wagons and drays and buggies, through which saddle-worn horsemen patiently wended their weary way. Most of these last were out-of-work cowhands, uprooted and unwanted as the plough furrowed through their one-time domain of the Cherokee Strip, the Big Pasture and other Territorial lands. Some might still find jobs in Texas, or westward in the states-to-be of Wyoming and New Mexico. (Or perhaps as far north as North-western Nebraska and the Dakotas.) A few, out of hateful necessity, would manage to make the transformation from cowboy to clodhopper. Some would turn outlaw. Some would become peace officers, hunting down the very men they had once worked with and called friend. As for the remainder… well, who knew? What does happen to men who can find no other path for themselves than the one occupied by the juggernaut of an onrushing civilization? To quote from the sardonic philosophy of the times, they were caught ziggin' when they shoulda been zaggin'. They had played the red, and the black came up.
    The sidewalks, which were even more jammed than the streets, were of plank and of various levels, according to the whim of the owner of the business establishment upon which they fronted. If he chose to have a porch, the walk rose by steps to become part of it; descending at the porch's end to the entrance level of the adjoining establishment.
    'God damn,' said Arlie exultantly, as he lunged through the crowds. 'Didja ever see anything like this, little brother?'
    'Like it,' Critch said a little breathlessly. 'But not so much of it.'
    'A real piss-walloper, ain't she? A rip-roarin' son-of-a-bitch!'
    'If it isn't,' Critch replied, 'it'll do until one comes along.'
    Blanket Indians sat with their backs against building fronts, their legs innocently thrust straight out in front of them for the unwary passer-by to trip over. Sunbonneted, gingham clad settlers' wives rubbed shoulders with skimpily-dressed saloon girls. Cowboys brushed against clodhoppers. Indians, merchants, gamblers, drummers (salesmen), clerks, workmen, women of all ages and descriptions; the bountiful, the beautiful, the damned – all were jampacked together in a chaotic, colorful mass.
    Drifting out through innumerable swinging-doors, came the aroma of beer, booze and free-lunch, and the muted roar of many sounds. The click of roulette wheels, the rattle of gambling chips; the tinny tinkling of pianos, boisterous shouts and laughter, feminine squeals of protest.
    Despite the devil-may-care air of things, the free and-easy atmosphere, there was no sound of gunplay, no sign of brawling. For El Reno was very well policed – as Critch was soon to discover.
    It happened as he was passing a saloon, trailing Arlie by a step or two. There was a sudden explosion of yells and curses, the scraping clatter of shattering wood. The whole building seemed to tremble with it. And then out through the swinging doors burst a mass of men, their rush carrying them out into the street and slamming Critch against a hitching post.
    Apparently, they had done nothing serious – merely brawled, perhaps – for the two deputy marshals who followed them into the street dismissed them after administering a few judiciously vigorous shakes and slaps. Shaken and furious, Critch