out carousing. You lead the way up the stairs.â
âThe stairs are steep. Be careful.â
Herculeah wasnât as afraid with Gilda on her side. That woman was very strong. She had seen that in Tai Chi class.
The door at the head of the stairs was as Herculeah had left it. She slipped through and stepped over the fallen curtain. Gilda followed.
âNow, whereâs the knife? Whereâs the knife?â Gilda said.
âOn the middle table.â
They walked to the table, and Gilda froze.
âThat is the knife, isnât it?â Herculeah asked.
âItâs the knife.â
She looked closely at Gilda. Gilda was very pale. It was as if all the blood had drained from her head.
âAre you all right? You look like youâre going to faint. Donât faint, because I could never get you and the knife back down those stairs.â
Gilda didnât answer.
âWe shouldnât have come. Itâs too much for you to see the actual knifeââ
As if in a trance, Gilda stretched out her hand toward the knife.
âDonât pick it up,â Herculeah said.
But Gilda paid no attention to Herculeahâs warning. Her hand hovered over the knife.
Herculeah said, âNo! No! Youâll mess up the fingerprints. Youâll ruin everything.â
âDonât worry about that, Herculeah.â
Herculeah glanced around the tabletops, looking for something. She said, âWe need to get something firmâthis manuscript cover ought to do it. Iâll slide this under the knife and the scarf. We wonât even fold the scarf over the knife. We donât want to do anything that would erase Mathias Kingâs print.â
âYou donât have to worry about his prints.â âBut thatâs the whole reason weâre hereâto get Mathias Kingâs fingerprints on the knife.â
âYou wonât find Mathias Kingâs prints on the knife.â
âWhy?â
âBecause the prints on the handle of the knife are not his.â
âThen whose?â
Gilda turned and looked at Herculeah. Her face was still pale, but in the vague light that filtered through the open doorway, her eyes burned with the intensity Herculeah had last seen in the library of the murder house.
It was as if a mask had slipped from her face, and Herculeahâs blood froze at what was revealed.
âThe fingerprints on the knife,â she said, âare mine.â
26
THE HEARSE
âCould you tell me what a hearse is doing in front of the Jonesâs house?â
âA hearse?â
Meat went to the window. You could count on this happening. You stood at the window staring at nothing for an hour, then you went to the refrigerator for ten or fifteen minutes and a hearse drove up.
âIt was here the other day, too,â Meatâs mother said as he joined her at the window. âA man got outâa very suspicious-looking man, I might add. He was all in black.â
âMathias King,â Meat whispered.
âHe went up the steps, dropped something in the mail slot, and left.â
âHas he gotten out of the hearse today?â
âHe went up the steps, rang the bell, got no answer, and got back in the hearse. Heâs still there.â
Now Meat could see Mathias Kingâs profile in the front seat of the hearse. He was staring straight ahead.
âI donât like it,â Meatâs mother said. âIt gives the street a bad name. Itâs as if the manâs waiting for someone to die.â
âIâll find out whatâs going on,â Meat said.
âIâll go with you.â
âIâll do this myself.â
He spoke so manfully that his mother nodded. Meat went out the door alone, crossed the street, and rapped on the window.
Mathias King rolled down the window and stared up at Meat with his black eyes.
âWhat are you doing here?â Meat asked bluntly.
âIâm waiting