Lark and Termite
pictures inside him stay and never blur. They might say one color or two, bright colors that shine in the gray like jewels. He sees them when the sounds of the train or the pounding of rain flies all around him. The pictures move, revealed as though a curtain slowly lifts, moving as Lark’s hair might move, parting and falling away until the picture is still and complete. The pictures tell their story that repeats and repeats again and stays inside him until it ends. He sees them without trying. It’s how Lark sees everything, everywhere they go. She couldn’t walk and run so fast and be so sure through his moving colors, his dark that blurs. But she can’t hear what he hears. He listens hard to tell. She never knows what’s coming but he can’t say and say.
    Lark gives him the glass moon man that smells of soap. Inside the hole behind the face there’s a trapped sweet smell no one can wash. Lark’s fingers are long and smooth. They come and go.
    Lark says feel your soft blue shirt want to wear this? She says hold the crayon it’s green as grass is green. She says listen to the radio even if it’s not so loud as you like. She says eat your toast while it’s hot and she gives him toast, thick and warm and buttery in his hand with the blue jam on the knife like the farmer’s wife. The knife comes and goes across the plates. The table holds the pouring and crashing and banging while Nonie walks hard and fast in and out of the kitchen in her white shoes. Her legs swish every step and he can feel her stepping room to room to room. No matter where she is he can hear and he puts his head on the table to hear the sound alone through the wood without all the other sounds. But she picks him up, one strong arm around his chest and the other bent for the seat under him she calls his throne. They move fast, thudding across the floor out the door onto the ground where the sound goes hollow and deep.
    The porch door bangs.
    Sudden morning air floats low to the ground amid the small houses like fragrant evaporating mist, a cool bath of dew and shadow and damp honeysuckle scent. He gasps and hears the sharp grass under them move its fibrous roots. Lark has brought his chair but he leans far back in Nonie’s arms to look and look into the dense white sky. Heat will climb down in wisps and drifts, losing itself in pieces until it falls in gathered folds, pressing and pressing to hold the river still. Far up the heat turns and moves like a big animal trying to rouse. All the while he can hear Elise’s car roll its big wheels closer until it turns roaring into the alley but Nonie puts him in his chair. She brushes his hair back with her two broad hands while the car throbs in the narrow tracks of the alley, crushing gravel to rattles and slides and bleating loud. He calls and calls and he wants to go but Nonie goes. Under the motor sound he hears the car take her weight, a sigh before the door slams. The car roars away down the stones onto the smooth pavement and goes until it’s gone. There’s a shape in the air where the car was. He feels the shape hold still before it begins to end. Slowly the air comes back. The grass begins small sounds. The ground under the wheels goes hard and soft. Lark pulls him to the trains in the wagon and the rail yard is silent. Each stopped train is a deep still weight. Water trickles in the ditch where the dogs drink. They snap their jaws in the heat and Lark throws stones to make them run. They skim their shadows across weeds and broken pavement, loping the slant to the tipple where they slink and watch. Lark gives him his ribbon to hold. She knows which train will clank and rumble, jerking back before it smashes loud. He blows on the ribbon, moving the blue, and the train begins to move. Lark is quick and strong and she pulls the wagon fast, running beside the roar that clacks and smashes and races smooth. A dark rush spreads and moves and holds them, rattling inside them and tunneling deep,

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