that. But wait a minute: That’s exactly what Karen Wood did. She made people pay attention, and she didn’t even need to raise her voice.
The most basic way to get someone’s attention is this: Break a pattern. Humans adapt incredibly quickly to consistent patterns. Consistent sensory stimulation makes us tune out: Think of the hum of an air conditioner, or traffic noise, or the smell of a candle, or the sight of a bookshelf. We may become consciously aware of these things only when something changes: The air conditioner shuts off. Your spouse rearranges the books.
Wood got people’s attention in a message-hostile environment by avoiding the same generic safety spiel that her passengers had heard many times. She told jokes, which not only got people’s attention butkept it. But if
getting
attention had been Wood’s only concern, she wouldn’t have needed to be so entertaining. She could have gotten passengers’ attention just as easily by starting the announcement and then suddenly pausing in midsentence. Or switching to Russian for a few seconds.
Our brain is designed to be keenly aware of changes. Smart product designers are well aware of this tendency. They make sure that, when products require users to pay attention, something
changes
. Warning lights blink on and off because we would tune out a light that was constantly on. Old emergency sirens wailed in a two-note pattern, but modern sirens wail in a more complex pattern that’s even more attention-grabbing. Car alarms make diabolical use of our change sensitivity.
This chapter focuses on two essential questions:
How do I get people’s attention?
And, just as crucially,
How do I keep it?
We can’t succeed if our messages don’t break through the clutter to
get
people’s attention. Furthermore, our messages are usually complex enough that we won’t succeed if we can’t
keep
people’s attention.
To understand the answers to these two questions, we have to understand two essential emotions—surprise and interest—that are commonly provoked by naturally sticky ideas.
Surprise
gets our attention. Some naturally sticky ideas propose surprising “facts”: The Great Wall of China is the only man-made structure visible from space! You use only 10 percent of your brain! You should drink eight glasses of water a day! Urban legends frequently contain surprising plot twists.
Interest
keeps our attention. There are classes of sticky ideas that maintain our interest over time. Conspiracy theories keep people ravenously collecting new information. Gossip keeps us coming back to our friends for developments.
Naturally sticky ideas are frequently unexpected. If we can make our ideas more unexpected, they will be stickier. But can you generate “unexpectedness”? Isn’t “planned unexpectedness” an oxymoron?
GETTING PEOPLE’S ATTENTION
No One Ever Does
The television commercial for the new Enclave minivan opens with the Enclave sitting in front of a park. A boy holding a football helmet climbs into the minivan, followed by his two younger sisters. “Introducing the all-new Enclave,” begins a woman’s voice-over. Dad is behind the wheel and Mom is in the passenger seat. Cup holders are everywhere. Dad starts the car and pulls away from the curb. “It’s a minivan to the max.”
The minivan cruises slowly through suburban streets. “With features like remote-controlled sliding rear doors, 150 cable channels, a full sky-view roof, temperature-controlled cup holders, and the six-point navigation system … It’s the minivan for families on the go.”
The Enclave pulls to a stop at an intersection. The camera zooms in on the boy, gazing out a side window that reflects giant, leafy trees. Dad pulls into the intersection.
That’s when it happens.
A speeding car barrels into the intersection and broadsides the minivan. There is a terrifying collision, with metal buckling and an explosion of broken glass.
The screen fades to black, and a message