On the other hand, you remember perfectly the year you gave her the stuffed kangaroo. You ask me if I know the singer whose video is playing on the screen. Itâs a sweet song about love and childhood, and youâre humming along, but halfheartedly. Suddenly you turn on your right side, shutting your eyes. âIâm going to rest before lunch.â By the time I leave the room youâre asleep.
On the first floor is a very tall man, a bit stooped, busy in the living room with some bottles on a wheeled table. âMolly told me you liked your tomato juice very spicy. Iâve put some vodka in mine, should I do the same for yours?â Iâve seen photos of your father, but I never realized the extent to which he was a reference point for you. I think everyone youâve been in love with is this same type: tall, lean, and dark.
Your father studies me with his head tilted slightly to one side, as Iâve always seen you do when youâre concentrating. âYou see, Molly remembers the kind of drinks you like, but she asked what day you were coming three times today. She has all her wits about her, but her short-term memory could be a lot better. Supposedly that can still be fixed.â He hands me my glass. âIâm not counting on the rest any more.â His voice is trembling a bit, as is his hand, and he pours another glass before going on, indicating the wheelchair. âThat thingâs there for good. You can imagine all the consequences that entails.â
Suddenly he raises his voice to call toward the kitchen, where a spoon has just fallen. âYou need some help, sweetie?â He waits for an answer,which doesnât come, and goes back to what he was saying. âHer mother doesnât want to hear it, but Molly has adapted to it. Too quickly, in my opinion. The physiotherapist said that to me, too. She isnât giving her all. And I donât understand why. I know thereâs not much chance sheâll recover, but theyâve already seen miracles with patients who refuse to consider their life in a wheelchair. They put everything theyâve got into trying and get results that go beyond all expectations.â He leans closer to me. âDo you understand why sheâs given up so quickly?â
The sound of a small bell makes him leap to his feet on his long legs, and he sets his glass down. âAh! My princess wants to come downstairs! Iâm going to get her.â
Iâm seated facing you. Youâre propped up as best you can in your wheelchair by two cushions that are too limp. Lunch for you is carrot juice that you drink with a straw, some poached whitefish, and mashed potatoes. You mix all of it with a spoon, and the effort it takes you to eat is heartbreaking. You donât make any attempt to wipe away the liquid trickling from the corner of your lips,and your parents pay no attention to it. At one moment you bang your cheek a little against your spoon without reacting. Obviously. That side of your face doesnât feel anything. The liquid flows along your jaw beyond the edge of your turtleneck. Iâm watching a clumsy, helpless little girl. You smile lovingly at me, despite the fact that I canât manage to look at your face and your lifeless mouth. My Molly. My stomach is in knots. I ask blankly where the bathroom is and leave for the end of the hallway to shut myself up in it. For weeks Iâve been imagining you like a patient in a novel, languishing in a comfortable armchair with a shawl over your knees, sitting near a window and listening to music or busy writing on your laptop, your back straight against the pillows, your eyes looking lively beneath your long hair â but not these sagging shoulders, this face too heavy for your neck, this drained, snuffed-out expression.
We spend the afternoon in your room, whose curtains Iâve closed to keep it cool. I think both of us fell asleep in front of the television,
Daniela Fischerova, Neil Bermel