young shifters and shifty old lifters,
the chippies and butties, the world and his mate.
The cash-in-hand, the big white van
blocking natural light to the living room.
The painters in white overalls, the strip
they wear when drinking tea for England.
Kelly, this week Iâve filled the house with strange things.
Stepladders and handshakes, buckets with holes in:
I make a wish and throw the hourly rate in.
The setteeâs on the lawn, a madmanâs garden swing,
paintbrushes take up leg room in the sock drawer
and a hammer sneaks in with the knives and forks.
A photo of your motherâs face down in the toilet;
dustsheets make ghosts of the tables and sideboard.
At ten to five they call it a day,
promise to be here bright and early.
I abracadabra the TV from under our old bedsheet,
settle down to a plate of leftover digestives.
Itâs then, Kel,
when the stars come out in the curtainless windows
and the telly echoes through my home.
Itâs then I say your name.
Jack-in-the-Box
Just when I think Iâve forgotten you,
they play that song on the radio,
or, sorting through junk, I come across photos:
youâve sprung up again,
with your made-up grin, your stupid little hat.
With a school compass I gouge and scrape,
give you a Hitler moustache, a Glasgow smile,
then shut you up, lock you in.
As Iâm fiddling with the matches,
you bounce up, prettier than ever.
I try the doll with long blonde hair,
whoâll never give me the silent treatment
so long as I pull that string in her back.
But she doesnât have your spiral-staircase neck,
your irrepressible energy.
I snap and show up at your door.
You invite me in for coffee.
In the living room, thereâs a box, about my size:
you place a hand on my head,
push down against my suddenly springy legs.
The Bloke in the Coffee Shop
is a bloke and where he is is yes, you know,
a coffee shop. The bloke in the coffee shop
is what he is; he has in front of him
a coffee and his problems. Sheâs late again,
he thinks, although he doesnât have a watch
and it is now, precisely. This bloke has
problems, yes, but letâs forget all that:
today is Saturday and not a day
for problems. If you saw him from above,
youâd see his hair, his coffee. You wouldnât see
his problems, would you? Also, youâd be tall,
so letâs forget all that. Let us instead
describe him. Letâs make a heroic effort,
pin him down with a word. Now here it goes:
dark. No, thatâs his coffee. Our blokeâs hair
is dark as well, but thatâs not what I meant â
Whatâs meaning, really? thinks some bloke somewhere.
Fuck coffee, Iâm off for a Guinness, I am,
thinks the dark-haired bloke in the you-know-what,
soon to be himself, but somewhere else.
*
Meanwhile, the lady walking down the street
is in the street and walking. Walking quickly,
but not so quick to make a liar of me.
Her high heels make the noise they make. Her clothes
are what sheâs wearing. Sure, yes, sheâs late,
but doesnât have a watch, or has a watch,
but hasnât time to check it, being late.
How is the weather? Pissing down. Umbrellas
hover over heads like oh-so-faithful,
massive-winged and oh yes, somehow, handled
blackbirds. So much for similes. Our ladyâs
just passing what she might call a boutique,
so letâs look in the window now and see her.
What is she like exactly? Violently
dimpled. A handbag which contains precisely
nothing. A heartbreaking nose thatâs pointing
at where sheâs going. In short, you know, a lady:
to see her dodge round puddles is to see her
dosey doe. She makes a bloke a bloke
whoâs sitting in a coffee shop and waiting.
*
Whoâs thinking heâs been stood up, actually,
so what he is is getting up and leaving,
thinking his thoughts â thatâs not your thoughts, his thoughts â
though if you saw his face now then