that?â
âItâs not important.â
âAshley, sometimes I think . . . well, I think you live in another world sometimes.â
My stomach lurches. He doesnât believe itâs possible for someone else to be attracted to me. âI want to be general counsel before I leave. I need to be general counsel, or all the companies are going to think Iâm poison.â
âYou havenât been there that long. Itâs your chance now to say it didnât work out. Hans is probably just a friendly guy, though, Ashley. Donât think about that anymore. Youâre protected by the law.â
âThereâs another reason to keep the job. Kay was hoping Iâd buy half her house as an investment.â I throw it out there. Letâs see how completely shocked he is.
âReally? Thatâs a great idea, Ashley.â
Thereâs a huge lump in my throat and shadows descend over my lighthearted mood. Thereâs no marriage proposal forthcoming. Thereâs only me and my dog-eared copy of The Rules . âYou really think itâs a good idea, huh?â
âYeah, itâs a no-brainer to get some equity. My condo is worth three times what I paid for it.â
âI donât want to make any immediate plans for the future,â I say.
âI know how you feel.â
Clearly.
8
W hat was I thinking? Itâs the only mantra that comes to mind when Sophia, my bossâs latest live-in, opens the door. I think Sethâs jaw physically dropped. I know mine did. Sheâs like a swimsuit model after the air-brushing. I actually find myself feeling a little sorry for her here, because sheâs so fabulous looking, you canât think of a thing to say. And I wonder what her conversational life is like. Youâre just completely stopped by her beauty. What pressure she lives under, and who needs that? By the end of my inner turmoil, Iâm convinced aver-age is good.
Seth looks at her, then he looks at me, and I can almost hear his comical commentary. Oh yeah, your boss wants you, not this Italian model whoâs living at his whims. Earth to Ashley. Rein in that incredible ego.
âAshley,â Sophiaâs Italian accent leaves both Seth and I gaping. Kind of like, hey, she talks . âAnd you must be Seth.â Seth nods. And I clumsily hold out the plant Iâve brought. âOh, itâs beautiful, thank you,â Sophia says as she takes the pot.
âItâs an African violet. They grow well if you have a window box.â Iâve seen Sophia before, but Iâve never seen her with makeup, and boy, she cleans up good. I always thought she was gorgeous, but just how gorgeous should really be equally divided among the women of the world. Sheâs like Kryptoniteâyou canât gaze directly upon her.
âWe do have a window box. Well, come in. Hans is putting the shrimp kabobs on the barbecue and I have made a fabulous pesto to go with it.â She looks to Seth. âCan I take your jacket?â
He shakes his head. Apparently, heâs still dumbstruck.
âThis is a great place you have here,â I offer.
âItâs nice, but small, no? Hans has to pay for all those children of his, so weâre lucky to have a roof, I suppose.â She lets out a tinkling laugh and sits on a long red velvety sofa, planting the violet on a glass table beside her. She pats the seat beside her. âCome and sit.â
My eyes wander as I take a seat. The house itself is very old-world. Although itâs a flat-roofed Eichler, itâs decorated with travertine and marble pillars, like a Tuscan villa. A baby grand piano sits beside the ornate fireplace, and the flocked wallpaper appears to be fabric. There is one exception that bolts me back into the present day: the modern, wild art that graces the walls. Everything is quite elegant except the art. Itâs like something out of a mental-patient gallery. Colorful and