Singin' and Swingin' and Gettin' Merry Like Christmas by Maya Angelou

N.O.Y.B. None of Your Business.
    “Long way from home. Don't you get lonely?”
    “This drink is called a champagne cocktail and I get twenty-five cents for every one you buy but really it's only 7-Up. If you buy a bottle of champagne, it'll cost you eight dollars and I'll get two of that. But at least it'll be real champagne and I can sit with you as long as it lasts.”
    The ploy worked, but my interest was never aroused. The men awoke no curiosity in me. I did not follow them in my mind to their hotel rooms or their loveless homes. They were like markers on a highway, to be used without gratitude and to be forgotten without guilt.
    The other dancers did not warm to me, nor I to them. They chatted to each other and kept their conversations and their glances to themselves They had not forgiven me for that first week when I sat haughtily in the dressing room as they hustled around the bar soliciting drinks. And since they had the toughness without the tenderness I had found in Babe, I ignored them completely. Success at cadging drinks changed my public personality. I became sassy to the customers. Quick, brittle words skipped off my tongue like happy children in a game of tag. Some men liked the flippancy and began to come back to the club not only to watch me dance but to buy drinks, listen to me and talk.

CHAPTER 8
    Two months after I began working in the Garden of Allah the composition of the patronage changed. The lonely men whose hands played with their pocketed dreams slowly gave way to a few laughing open-faced couples who simply came in to watch the show.
    Occasionally I would be invited to join a table of admirers. They had been told a good dancer was working in a strip joint. I answered their overused question by telling the truth. “I'm here because I have to work and because I love to dance.” I also explained about the drinks.
    Being so close to the tawdry atmosphere titillated the square couples. I decided they were the fifties version of whites slumming in Harlem's Cotton Club during Prohibition, and while their compliments pleased me, I was not flattered.
    Away from the bar my days were cheerful. I was making real money. Enough to buy smart, understated clothes for myself and matching ensembles for Clyde. We spent Saturday afternoons at horror movies, which I loathed. He adored the blood and popping eyes of “the Wolf Man,” the screams of “vampire victims” and the menacing camel walk of Frankenstein's monster. He yelled and jumped and hid behind my arm or peeked through his fingers at the grisly scenes.
    I asked him why he liked the fearful stories if theyfrightened him. His reply was a non sequitur. “Well, Mom, after all, I'm only eight years old.”
    Three months passed and I freely spent my salary and commissions in dining at good restaurants, buying new furniture and putting a small portion away for a trip— Ivonne and I had discussed taking our children on a vacation to Hawaii or New York or New Orleans.
    I was young, in good health, and my son was happy and growing more beautiful daily.
    One night Eddie paid off the other girls first, saying he wanted to talk to me. After they left, he bellied up to the bar and cast his glance on the bandstand where the musicians were stowing away their instruments. When he didn't look at me, I knew it had to be serious.
    “Rita, you're making more money than the other girls.”
    I hoped so.
    “… and they say they have a complaint.”
    “What's the complaint, Eddie?”
    “They say you must be promising to sleep with the clients. Otherwise why do you end up every night with four or five bottles of champagne and ten dollars or more in cocktails?”
    “Eddie, I don't care whether they like it or not. I haven't promised anybody anything. I've just made more money. Let's leave it at that, O.K.?”
    “It's not O.K., Rita. They can bring you up on charges with the union, or even get the club in Dutch. You must be doing something. No new girl makes this