Gregorian music, the true voices of the community, trained in daily practice by the
Choir Mistress for these moments in their profession. All the community is present
except Felicity and Winifrede. The Abbess in her freshly changed robe stands before her
high seat while the antiphon rises and falls.
Blessed are the peacemakers, blessed are the clean of
heart:
for they shall see God.
Still as an obelisk before them stands Alexandra, to survey what
she has made, and the Abbess Hildegarde before her, to find it good and bravely to
prophesy. Her lips move as in a film dubbed into a strange language:
When will you ever, Peace,
wild wooddove, sky wings
shut,
Your round me roaming end, and under be my
boughs?
When, when, Peace, will you, Peace?
— I’ll not play
hypocrite
To my own heart: I yield
you do come sometimes; but
That piecemeal peace is poor peace. What
pure peace allows
Alarms of wars, the daunting wars, the
death of it?
In the hall, at the foot of the staircase,
Mildred says, ‘Where is Winifrede?’
The Abbess does not reply until they have reached her parlour and are seated.
‘Winifrede has been to the ladies’ lavatory on the ground floor at
Selfridge’s and she has not yet returned.’
Walburga says, ‘Where will it all end?’
‘How on earth,’ says Mildred, ‘can those two young men pick up their
money in the ladies’ room?’
‘I expect they will send some girl in to pick it up. Anyway, those were
Winifrede’s instructions,’ says Alexandra.
‘The more people who know about it the less I like it,’ Walburga says.
‘The more money they demand the less I like it,’ says the Abbess.
‘Actually, I heard about these demands for the first time this morning. It makes
me wonder what on earth Baudouin and Maximilian were thinking of to send those boys into
the Abbey in the first place.’
‘We wanted Felicity’s love-letters,’ Mildred says.
‘We needed her love-letters,’ says Walburga.
‘If I had known that was all you needed I could have arranged the job
internally,’ says the Abbess. ‘We have the photo-copy machines after
all.’
‘Felicity was very watchful at that time,’ Mildred says. ‘We had to
have you elected Abbess, Alexandra.’
‘I would have been elected anyway,’ says the Abbess. ‘But, Sisters, I
am with you.’
‘If they hadn’t taken her thimble the first time they broke in, Felicity
would never have suspected a thing,’ Walburga says.
Mildred says, ‘They were out of their minds, touching that damned thimble. They
only took it to show Maximilian how easy it was to break in.’
‘Such a fuss,’ says the Abbess, as she has said before and will say again,
with her lyrical and indifferent air, ‘over a little silver thimble.’
‘Oh, well, we know very little about it,’ says Mildred. ‘I personally
know nothing about it.’
‘I haven’t the slightest idea what it’s all about,’ says
Walburga. ‘I only know that if Baudouin and Maximilian can’t continue to
find money, then they are in it up to the neck.’
‘Winifrede, too, is in it up to the neck,’ says the Abbess, as she has said
before and will say again.
The telephone rings from the central switchboard. Frowning and tight-skinned, Walburga
goes to answer it while Mildred watches with her fair, unseasonably summer-blue eyes.
Walburga places her hand over the mouthpiece and says, ‘The
Daily
Express
wants to know if you can make a statement, Lady Abbess, concerning
Felicity’s psychiatric treatment.’
‘Tell them,’ says the Abbess, ‘that we have no knowledge of
Felicity’s activities since she left the convent. Her stall in the chapel is empty
and it awaits her return.’
Walburga repeats this slowly to the nun who operates the switchboard, and whose voice
quivers as she replies, ‘I will give them that message, Sister
Walburga.’
‘Would you really take her back?’ Mildred says.