rose sheepishly.
âYou
look
all right. Not a scratch, as far as I can see. But, I say, you must come back into the house! Have a drink or something.â
He went up to the door, which had remained closed, and hammered on it. âYussef! Osman! Wake up!â
The door opened slowly.
âCome on, Yussef, itâs only me. Except that Iâve brought some visitors. This is â¦?â
âMahmoud el Zaki. The Parquet.â
âMr el Zaki. Nearly shot him. And this is his man. Take him into the kitchen and give him some water. Cold water, thatâs the thing! On a hot day like this. Especially if youâve been shot at.â
The clerk, a little hesitantly, followed behind.
âDonât worry, youâre all right now. No shooting inside the house, thatâs the rule. Sheâs very strict about it. No shooting inside the house! Mother!â he called. âWe have visitors. Come and meet Mr el Zaki!â
He led Mahmoud into what was obviously a reception room, the exact replica of one you would find in a rich manâs house in Cairo, with a marble floor which sloped slightly down to a little indoor pool in which a fountain was playing. At one end of this room was a traditional dais, spread with leather cushions. He sat, or rather lay, on the dais and indicated that Mahmoud should lie beside him.
Then he jumped up to greet an elderly lady who had come into the room.
âThis is my mother. You must meet my mother!â
She came forward. She was dressed in the conventional burka but her veil was pushed aside. She had sharp, intelligent eyes.
âThis is Mr el Zaki, Mother. He has come to visit us.â
âI heard shots,â she said.
âThat was me. I nearly shot Mr el Zaki.â
âIt was as well that you didnât.â
âHe came by the back path, you see, and I was not expecting him.â
âEven so, you should be more careful.â
âSorry, Mother! I saw a great fat pigeonââ
âWhere is the gun now? Have you put it away properly?â
âLeft it at the door.â
âUnloaded?â
âYes, Mother. Unloaded. I made sure.â
She nodded. âGood.â Then she turned to Mahmoud. âAnd what brings you here, Mr el Zaki?â
âI am from the Parquet.â
She raised her eyebrows. âThe Parquet! This is an honour. It is not often that Cairo remembers us.â
âI am investigating a case.â
âDown here? I thought the Parquet never stepped out of Cairo!â
âWe do occasionally. When the case is important.â
âSo this one must be.â
âYes, it is. It concerns something sent to your husband.â
âA bomb, I hope?â
âNot quite, no. But equally shocking. A bride box.â
âAre you insane?â
âNo. It was sent from Denderah. By people from this estate.â
âNow I know you are insane! A bride box? To my husband? I would have thought heâd had enough of marriage. And should it be going to him anyway? I would have thought it would be sent to her. Whoever she is.â
âThe thing is, you see, the bride box was not empty.â
âWell, no, it wouldnât be.â
âIt contained the body of a young girl.â
The womanâs hand flew up to her throat.
âA young girl?â
âWhom I think you know,â Mahmoud added.
FIVE
âW hat do you want?â asked the Pashaâs lady.
âI want to talk to your servants.â
âWhy?â
âBecause servants from the estate brought the bride box to the railway station at Denderah and put it on the train.â
âI do not think you can be right,â said the Pashaâs lady. âIt is a long way from here to Denderah on foot. Especially carrying a box.â
âPerhaps a cart?â
âYou donât know what youâre saying. A cart? How do you think I could spare a cart? This is a small estate. Our carts are in