will scan your sensual and melancholy
wait for a long time; though I tell time, I understand nothing about life; the sad
hours follow the joyous minutes, as indistinguishable for me as bees in a hive. . . .
(The bell rings; a servant goes to open the door.)
The Good Fairy: Remember to obey me and remember that the eternity of your love depends
on it.
(The clock ticks feverishly, the fragrances of the roses waft uneasily, and the tormented
orchids lean anxiously toward Honoré; one orchid looks wicked. Honoré’s inert pen
gazes at him, sad that it cannot move. The books do not interrupt their grave murmuring.
Everything tells Honoré: Obey the fairy and remember that the eternity of your love
depends on that. . . .)
Honoré (without hesitating): Of course I will obey, how can you doubt me?
(The beloved enters; the roses, the orchids, the maidenhair ferns, the pen and the
paper, the Dresden clock, and a breathless Honoré all quiver as if in harmony with
her.)
Honoré flings himself upon her lips, shouting: “I love you!
Epilogue: It was as if he had blown out the flame of his beloved’s desire. Pretending
to be shocked by the impropriety of his action, she fled, and if ever he saw her after
that, she would torture him with a severe and indifferent glance. . . .
The Fan
Madame, I have painted this fan for you.
May it, as you wish in your retirement, evoke the vain and enchanting figures that
peopled your salon, which was so rich with graceful life and is now closed forever.
The chandeliers, whose branches all bear large, pallid flowers, illuminate objets
d’art of all eras and all countries. I was thinking about the spirit of our time as
my brush led the curious gazes of those chandeliers across the diversity of your knick-knacks.
Like them the spirit of our time has contemplated samples of thought or life from
all centuries all over the world. It has inordinately widened the circle of its excursions.
Out of pleasure, out of boredom, it has varied them as we vary our strolls; and now,
deterred from finding not even the destination but just the right path, feeling its
strength dwindling and its courage deserting it, the spirit of our time has lain down
with its face on the earth to avoid seeing anything, like a brutish beast.
Nevertheless I have painted the rays of your chandeliers delicately; with amorous
melancholy these rays have caressed so many things and so many people, and now they
are snuffed forever. Despite the small format of this picture, you may recognize the
foreground figures, all of whom the impartial artist has highlighted identically,
just like your equal sympathies: great lords, beautiful women, and talented men. A
bold reconciliation in the eyes of the world, though inadequate and unjust according
to reason; yet it turned your society into a small universe that was less divided
and more harmonious than that other world, a small world that was full of life and
that we will never see again.
I therefore would not want my fan to be viewed by an indifferent person, who has never
frequented salons like yours and who would be astonished to see “politesse” unite
dukes without arrogance and novelists without pretentiousness. Nor might he, that
stranger, comprehend the vices of this rapprochement, which, if excessive, will soon
facilitate only one exchange: that of ridiculous things. He would, no doubt, find
a pessimistic realism in the spectacle of the bergère on the right, where a great
author, to all appearances a snob, is listening to a great lord, who, dipping into
a book, seems to beholding forth about a poem, and whose expression, if I have managed to make it foolish
enough, shows quite well that he understands nothing.
Near the fireplace you will recognize C.
He is uncorking a scent bottle and explaining to the woman next to him that he has
concentrated the most pungent and most exotic perfumes in this