The Discreet Hero by Mario Vargas Llosa

personal chapter, the one that changed the nature of the entire story, introducing a supernatural dimension into a realist world. The episode in which for the first time the devil appears and talks to the young composer Adrian Leverkühn in Palestrina, his Italian retreat, and proposes his celebrated pact. As soon as he began to reread it, Rigoberto was taken in by the subtlety of the narrative strategy. The devil appears to Adrian as a normal, ordinary little man; the only unusual thing about him is the cold that emanates from him at first and makes the young musician shudder. He’d have to ask Fonchito, as a somewhat foolish, casual point of curiosity, “Do you feel cold each time this individual appears?” Ah, Adrian also suffers from premonitory migraines and nausea before the encounter that will change his life. “Tell me, Fonchito, do you happen to get headaches, an upset stomach, physical ailments of any kind whenever this person appears?”
    According to his son, Edilberto Torres was a normal, ordinary little man too. Rigoberto felt a sudden terror at the description of the little man’s sarcastic laugh that exploded unexpectedly in the half shadows of the mansion in the Italian mountains where the disquieting conversation took place. But why had his unconscious connected everything he was reading to Fonchito and Edilberto Torres? It made no sense. The devil in Thomas Mann’s novel alludes to syphilis and music as the two manifestations in life of his ruinous power, and his son never heard this Edilberto Torres speak of diseases or classical music. Did it make sense to wonder whether the appearance of AIDS, which caused as much devastation in today’s world as syphilis had years earlier, indicated the hegemony that the infernal presence was attaining in contemporary life? It was stupid, and yet at this moment, he, a nonbeliever, an inveterate agnostic, felt, as he was reading, that the penumbra of books and prints surrounding him and the darkness outside were at that very instant saturated with a cruel, violent, and malevolent spirit. “Fonchito, have you noticed that Edilberto Torres’s laugh doesn’t seem human? I mean, that the sound he makes seems to come not from a man’s throat but from the howl of a madman, the caw of a crow, the hiss of a serpent?” The boy would burst into laughter and think his father crazy. Once again he was invaded by uneasiness. Pessimism wiped out in a few seconds the moments of intense joy he’d just shared with Lucrecia, the pleasure derived from rereading that chapter of Doktor Faustus . He turned out the light and returned to his bedroom, dragging his feet. This couldn’t go on, he had to question Fonchito with prudence and astuteness, unmask what really went on in those encounters, dispel once and for all the absurd phantasmagoria devised by his son’s feverish imagination. My God, this wasn’t the time for the devil to give new signs of life and appear once more to humans.

 
    V
    The notice, paid for out of his own pocket, that Felícito Yanaqué published in El Tiempo made him famous overnight throughout Piura. People stopped him on the street to congratulate him, show their solidarity, ask for his autograph, and, above all, warn him to be careful: “What you’ve done is very rash, Don Felícito. Hey waddya think! Now your life’s really in danger.”
    None of this went to the trucker’s head, and none of it frightened him. What affected him most was observing the change the small notice in Piura’s principal newspaper caused in Sergeant Lituma and, especially, in Captain Silva. He’d never liked this vulgar police chief who used any pretext to run his mouth about Piuran women’s bottoms, and he thought the antipathy was mutual. But now the captain’s attitude was less arrogant. On the very afternoon of the day the notice was published, both police officers showed up at his house on Calle Arequipa, affable and ingratiating. They’d come to demonstrate