an artist , isnât it?â said Sheila. âAll take and no give. Your promise about Edwinâs laundry.â
âOh, that.â
âNigel,â said Sheila, âis a very lucky boy. Thereâs a Hungarian woman who comes every week and does his washing for him. Thatâs in exchange for English lessons.â
âWhat,â asked Edwin, âdoes he know about giving English lessons?â
âHeâs learning,â said Sheila. âLearning by doing. And one thing heâs promised to do is to have all your dirty clothes washed. Where are they?â
âThis,â said Edwin, âis most kind.â He was growing tired of always sounding like Mr Salteena, but what else could he say? âThat lockerâs stuffed with dirty pyjamas and towels and things, and thereâs a shirt in the big locker outside.â
âGood,â said Sheila. âWeâre going straight to Nigelâs flat or studio, or whatever he calls it, and we can take those things with us.â
âWeâd better go now,â said Nigel. âIâve had no lunch, remember.â
âBut you had breakfast.â
âThat was a long time ago.â
âWhen I was a young girl,â said Sheila, âI always believed that artists starved. La vie de Bobème.â
âPlenty of stuffing goes on in the first two acts of the opera,â said Edwin.
âOh, yes,â said Sheila, âthat reminds me. Les and Carmen are coming to see you again this evening. I, of course, canât make it. Carmen is coming to apologise.â
âNo,â said Edwin violently. âIâm very ill. I canât have visitors. Please tell them that.â
âWe shanât be seeing them, shall we, Nigel? So youâll just have to put up with it. Les has a queer life really, doesnât he?â
âI should think so,â said Edwin.
âYes. He works in one of the Covent Garden pubs early in the morning, and at night he works in the opera house. That seems to me to be right â unification in terms of place, or something. And for the rest of the time he has Carmen. You must get him to tell you about some of the things she does sometime.â
âCome on,â said Nigel. âWe ought to eat.â
âYes,â said Sheila. âSheâs very quaint. They did Samson and Delilah and she went to see it and a couple of days later they had a bit of a row, and he woke up in the middle of the night to find her standing with the scissors over the bedâââ
Nigel was looking, suddenly very intently, at Edwin. âI donât know about your brain,â he said, thoughts of food apparently temporarily forgotten, âwhether itâs worthwhile saving that. But as far as heads go, itâs a good head. Itâs a better head,â he continued, with the artistâs impartiality, âthan hers. I wouldnât mind doing it. I think Iâd rather do your head than hers, though she, of course, from my point of view, has by far the more interesting body. And, of course, soon youâll have no hair.â
âThereâs a long way to go yet,â said Edwin. âMy family is not a family that goes bald early.â
âNo, no,â said Nigel. âIf theyâre going to operate on your brain theyâll have to shave all your hair off. I think that I should like to have a go at it then. It would make a very nice and rather original study. A painting, I think. The tropical brown of the face and a sort of nacreous pink -I should like to try that.â
Edwin was pale, aghast. âYou know,â he said, âI just hadnât realised. I just didnât think of that at all.â
âNever mind,â said Sheila. âIt will grow again, very quickly. And it will be just the opposite of Samson, wonât it?â
âWhat do you mean?â asked Edwin.
âThink it over, darling. Look,â she