to what I can absorb at one sitting.â
âWhat are these photographs?â She leaned over the desk again, pulling the box file towards her, partly from genuine interest and partly in an effort to prolong the late-night encounter. She wasnât ready to go to bed yet and she didnât want to miss the chance to be with Guy either. Tomorrow she had to go back to Paris and he would leave for England and then, it seemed, for the other side of the world, and she didnât know how long it would be before she saw him again. His visits were too few and far between for her liking.
âJust pictures of the treasures. Havenât you seen them before?â
âNo, I donât think so.â She began leafing through them, leaning so close that the curtain of her hair brushed his face. Realising what she was doing he moved away slightly.
âSo this is the famous triptych,â she said, pretending not to have noticed his withdrawal.
âYes. Scenes from the life of the Maid of Orleans. Pretty impressive, isnât it?â
âI suppose so â if you like that kind of thing.â She went on poring over the photographs, examining one after the other. â Silver candlesticks â they must be worth a pretty penny â¦â
âItâs not the monetary value that counts, though, is it? Itâs their sentimental and historical value.â
â⦠a little clock â Louise XIV, isnât it? â bronze statuette of Ceres ⦠good grief, the place must have been quite bare when heâd finished taking what he wanted!â
âYes, I think Grandpapa bought a good deal to take the place of what was looted. Except for the triptych, of course. Heâs never replaced that.â
âWait a minute, these arenât all of artefacts,â Lise said, a note of unaccustomed excitement creeping into her voice. âWho are these people?â
âWhat people?â
âHere â look. These people.â
She pushed a photograph towards him. A small group, standing on the forecourt of the château beside the fountain. Guy inspected it.
âWell, thatâs Grandpapa obviously, and that looks like my father and your mother. But I donât know who the other man is â¦â He looked more closely at the stranger, trying to identify him. It certainly wasnât his Uncle Christian, he was too tall and too fair to be a de Savigny.
âPerhaps it was one of my motherâs boyfriends,â Lise suggested. âHeâs very good-looking.â
âPerhaps.â But Guy was doubtful. The tiny hairs on the back of his neck had begun to tingle. âIâm wondering if it might be him ⦠von Rheinhardt.â
âOh surely not! They wouldnât have had their photograph taken with him, would they? And heâs not in uniform.â
âNo, but he lived at the château, remember, and he was a frequent visitor in the days before he turned the family out and took it over for his HQ. He might not always have worn his uniform then â when he had a day off duty, for instance.â
âI still canât believe it.â Lise went on turning over photographs. âLook, hereâs one of you, Guy. Oh, werenât you sweet? You must be only about a year old. Get those chubby knees!â
âCheeky!â but he didnât feel like laughing, and a moment later he heard her draw her breath in sharply.
âYou were right, Guy. Isnât that the same man? Only this time he is in uniform!â
She pushed the photograph towards him. Guy picked it up and for the first time looked at the image of the man who was his quarry, knowing with almost complete certainty that it must be him.
The photograph had been taken more in close-up than the first, every detail of the face was clear, though the original black and white had faded to give a brownish tint. Guy looked at it and felt something closing up inside him as