The Legend Trilogy Collection by Marie Lu

makes my voice sound like a man’s.
    Silence. Not even the kiosk’s layers of paper bulletins move. There’s no wind tonight.
    I remove a vial from a holster at my belt. My other hand doesn’t leave the handle of my gun. “I have what you need,” I say, and wave around the vial for emphasis.
    Still nothing. This time, however, I hear what sounds like the faintest sigh. A breath. My eyes dart to the speakers lining the roofs. (That’s what the clicking sound was. He’s rewired the speakers so he can talk to me without giving away his location.) I smile behind my mask. It’s what I would have done.
    “I
know
you need this,” I say, gesturing again at the vial. I turn it in my hands and hold it higher. “It has all its official labels, the stamp of approval. I assure you it’s the real thing.”
    Another breath.
    “Someone you care about will wish you’d come out to greet me.” I look at the time on my goggles. “It’s five past midnight. I’ll give you two minutes. Then I leave.”
    The alley falls silent again. Every now and then, I hear another faint breath from the loudspeakers. My eyes shift from the time on my visor to the shadows of the roofs. He’s clever. I can’t tell where he’s broadcasting from. It could be on this street—it could be several blocks down, from a higher floor. But I know he’s close enough to see me himself.
    The time on my visor shows 0007 HOURS . I turn, tuck the vial back onto my belt, and start to walk away.
    “What do you want for the cure, cousin?”
    The voice is barely a whisper, but through the speakers it sounds broken and startling, so crackly that I have trouble understanding him. Details race instantly through my mind. (Male. He has a light accent—he’s not from Oregon or Nevada or Arizona or New Mexico or West Texas or any other Republic state. Native Southern Californian. He uses the familiar term
cousin,
something Lake sector civilians often use. He’s close enough to have seen me put the vial away. He’s not so close that the speakers can catch his voice clearly. He must be on an adjacent block with a good vantage point—a high floor.)
    Behind the details flashing through my mind emerges a black, rising hatred. This is the voice of my brother’s murderer. This may have been the last voice my brother heard.
    I wait two seconds before speaking again. When I do, my voice is smooth and calm and shows no sign of my rage. “What do I want?” I ask him. “It depends. Do you have money?”
    “Twelve hundred Notes.”
    (Notes, not Republic gold. He robs the upper class but doesn’t have the ability to rob the extremely wealthy. He’s probably a one-man operation.) I laugh. “Twelve hundred Notes can’t buy you this vial. What else do you have? Valuables? Jewelry?”
    Silence.
    “Or do you have skills to offer, as I’m sure you do—”
    “I don’t work for the government.”
    His weak point. Naturally. “No offense. Just thought I’d ask. And how do you know
I
don’t work for someone else? Don’t you think you’re giving the government too much credit?”
    A slight pause. Then the voice comes back. “Your cloak knot. Don’t know what it is, but it sure doesn’t look civilian.”
    This surprises me a little. My cloak knot is indeed a Canto knot, a sturdy knot that military officials like to use. Apparently Day has some detailed knowledge of how government uniforms look. Impressive eye. I’m quick to cover up my hesitation. “Good to find another person who knows what a Canto knot is. But I travel a lot, my friend. I see and know a lot of people, people who I might not be affiliated with.”
    Silence.
    I wait, listening for another breath over the speakers. Nothing. Not even a click. I didn’t act fast enough, and the brief hesitation in my voice was enough to convince him that he couldn’t trust me. I tighten the cloak around me and realize that I’ve started to sweat in the warmth of the night. My heart hammers against my chest.
    Another