The Music School by John Updike Page B

unintelligiblebut distinctly feminine circuit of complaints; the voice, indeed, seemed not so much a man’s as a woman’s deepened by being played at a slower speed on the phonograph. Hoping to cure the growing dizzy emptiness within him, Richard ordered a “hamburger” that proved to be more tomato sauce than meat. Outside, on the street, he bought a paper cone of hot chestnuts from a sidewalk vender. This man, whose thumbs and fingertips were charred black, agitated his hand until three hundred lire were placed in it. In a way, Richard welcomed being cheated; it gave him a place in the Roman economy. The Maples returned to the hotel, and side by side on their twin beds fell into a deep sleep.
    That is, Richard assumed, in the cavernous accounting rooms of his subconscious, that Joan also slept well. But when they awoke in the morning, she told him, “You were terribly funny last night. I couldn’t go to sleep, and every time I reached over to give you a little pat, to make you think you were in a double bed, you’d say ‘Go away’ and shake me off.”
    He laughed in delight. “Did I really? In my sleep?”
    “It must have been. Once you shouted ‘Leave me alone!’ so loud I thought you must be awake, but when I tried to talk to you, you were snoring.”
    “Isn’t that funny? I hope I didn’t hurt your feelings.”
    “No. It was refreshing not to have you contradict yourself.”
    He brushed his teeth and ate a few of the cold chestnuts left over from the night before. The Maples breakfasted on hard rolls and bitter coffee in the hotel and walked again into Rome. His shoes resumed their inexplicable torture. With its strange, almost mocking attentiveness to their unseen needs, the city thrust a shoe store under their eyes; they entered, andRichard bought, from a gracefully reptilian young salesman, a pair of black alligator loafers. They were too tight, being smartly shaped, but they were dead—they did not pinch with the vital, outraged vehemence of the others. Then the Maples, she carrying the Hachette guidebook and he his American shoes in a box, walked down the Via Nazionale to the Victor Emmanuel Monument, a titanic flight of stairs leading nowhere. “What was so great about him?” Richard asked. “Did he unify Italy? Or was that Cavour?”
    “Is he the funny little king in
A Farewell to Arms
?”
    “I don’t know. But nobody could be
that
great.”
    “You can see now why the Italians don’t have an inferiority complex. Everything is so huge.”
    They stood looking at the Palazzo Venezia until they imagined Mussolini frowning from a window, climbed the many steps to the Piazza del Campidoglio, and came to the equestrian statue of Marcus Aurelius on the pedestal by Michelangelo. Joan remarked how like a Marino Marini it was, and it was. She was so intelligent. Perhaps this was what made leaving her, as a gesture, exquisite in conception and difficult in execution. They circled the square. The portals and doors all around them seemed closed forever, like the doors in a drawing. They entered, because it was open, the side door of the church of Santa Maria in Aracoeli. They discovered themselves to be walking on sleeping people, life-sized tomb-reliefs worn nearly featureless by footsteps. The fingers of the hands folded on the stone breasts had been smoothed to finger-shaped shadows. One face, sheltered from wear behind a pillar, seemed a vivid soul trying to rise from the all-but-erased body.
    Only the Maples examined these reliefs, cut into a floor that once must have been a glittering lake of mosaic; the othertourists clustered around a chapel that preserved, in slippers and vestments, behind glass, the child-sized greenish remains of a pope. Joan and Richard left by the same side door and descended steps and paid admission to the ruins of the Roman Forum. The Renaissance had used it as a quarry; broken columns lay everywhere, loaded with perspective, like a de Chirico. Joan was charmed by the