The Night Watch by Sarah Waters

or no time at all.
    They passed a pub, and Reggie worked his mouth as if thirsty. He'd laid out his jacket on the back seat, but got her to reach into its pocket and bring out a little flask of Scotch. She watched him lifting it to his mouth. His lips were soft and smooth; his chin and throat were freshly shaved, but already dark with dots of stubble. He drank clumsily, concentrating on the road. Once the whisky ran from the corner of his mouth and he had to catch it with the back of his swarthy hand.
    'Look at you,' she said, half playfully, half crossly. 'You're dribbling.'
    He said, 'I'm drooling. It's from sitting next to you.'
    She made a face at the idea. They drove on more or less in silence. He kept to the main road for almost an hour, but then, coming to an unsigned junction, followed the quietest-looking route; and after that they took the lanes which caught their fancy. London, suddenly, became almost unimaginable-the hardness and dryness and dirt of it. The hedges which bordered the lanes were high and moist and, though it was autumn, still filled with colour: sometimes Reggie drew close to the side to let another driver pass, and flowers shook their petals through the window into Viv's lap. Once a white butterfly came into the car and spread out its papery, powdery wings on the curve of the seat beside her shoulder.
    Her mood began to lift. They started to point out little things to each other-old-fashioned churches, quaint-looking cottages. They remembered a day, years before, when they had come into the country and stopped at a cottage and spoken to its owner, and he'd taken them for a married couple and asked them into his parlour and given them glasses of milk… Reggie said now, as he slowed the car before a little house the colour of creamy French cheese, 'There's space at the back, look, for pigs and chickens. I can see you, Viv, chucking out the swill. I can see you picking apples in an orchard. You could make me apple pies, and bloody great suet puddings.'
    'You'd get fat,' she said, smiling, poking his stomach.
    He dodged away from her. 'It wouldn't matter. You're supposed to be fat, aren't you, in the country?' He kept an eye on the road, but dipped his head to look at the upstairs window. He lowered his voice. 'I bet there's the hell of a feather mattress in the room up there.'
    'Is that all you think about?'
    'It is, when you're around.-Oops.'
    He swerved, to avoid the hedge; then put his foot down again.
    They began to look about for a place to stop the car and eat their lunch, and took a track that led between fields towards a wood. The track seemed well-maintained at first; the further they drove, however, the rougher and narrower it grew. The car bumped about, getting whipped by brambles, and long grass swept and crackled underneath it like rushing water beneath a boat. Viv bounced on the seat, laughing. But Reggie frowned, leaning forward, tugging at the steering-wheel. 'If we meet someone coming the other way, we're buggered,' he said. And she knew he was thinking about what would happen if they were to have an accident, smash up the car, get stuck…
    But the track dipped and turned and they found themselves, all at once, in a lush green clearing beside a stream, breathtakingly pretty. Reggie put on the brake and turned off the engine; they sat for a moment, amazed and awed by the quiet of the place. Even after they'd opened the doors and begun to climb out they hesitated, feeling like intruders: for all they could hear was the tumbling of the stream, the calling of birds, the shushing of leaves.
    'It sure as hell ain't Piccadilly,' said Reggie, getting out at last.
    'It's lovely,' said Viv.
    They spoke almost in murmurs. They stretched their arms and legs, then walked across the grass to the edge of the stream. When they gazed along the bank they could see, half hidden in the trees, an old stone building with shattered windows and a broken roof.
    'That's a mill,' said Reggie, moving towards