He looks between the men at his counter, his countenance wary.
âNow, gentlemen, yâall go easy now,â he says, but something that he sees in their eyes makes his voice shake. He tries to hold up a placating hand. âYou got an issue with them boys that just walked in, you should take it to the guards, okay?â
Huxley is almost leaning across the counter, like heâs about to lump Barry in with the slavers. âYou know who they are?â
âTheyâs traders, from theââ
âTheyâre fucking slavers,â Huxley snaps.
Barry is shaking. His eyes are shooting back and forth. His voice gets real quiet. âBut â¦Â the guards â¦â
Jay looks like heâs about to reach across the counter for Barry. âYou think the guards are gonna do shit to these guys? Youâre dreaminâ. Because they bring goods to this little trading town and nobody has the balls to question where they came from.â
The three slavers enter the whorehouse. Huxleyâs mind is fire and ash. Like his dreams. Like his nightmares. Borderline isnât the end of the nightmares. Itâs just the beginning of new ones. Unfamiliar ones. At least in the desert, it was a simple nightmare. Here, it seems things have grown complicated.
Like an echo rising from the bottom of a deep well in the wilderness, he thinks of his own wife and daughter.
A tremor works its way through Huxley.
Time to stop hiding, old boy.
Youâre a desperate man with nothing left to live for.
Huxleyâs brain is on fire. It is a strange, intoxicating feeling. He has been so cautious, so careful, always trying to gain those miles, not letting anything sway him from his course â¦Â and now, just to put it all aside, to admit to himself that all is lost and that there is nothing left but blood and death, to plunge into it so heartlessly, so mindlessly â¦Â
It feels good.
Huxley pulls the scattergun from his back and smacks it harshly on the countertop.
Barry looks terrified. âIâll call the guards.â
Huxley looks at the man that just spoke, as though he is a child that has spoken out of turn. He holds the manâs gaze while he yanks out the bottle of powder that he got from the scrapper. âYou call who you want. But know this â¦â he leans over and speaks quietly. âYou know what they are now. You call the guards on me, youâre just helping the slavers. And Iâll kill a man for that. So maybe itâd be best if you just took cover and minded your own fucking business.â
Barry raises his hands and backs away further into his hovel, seeing the imminent violence like dark storm clouds rolling in on gale winds.
Huxley looks back to the whorehouse. The tarp is still swinging after the last slaver went in to purchase his pleasure. Eyes fixed on that piece of blue plastic, swaying in the wind, Huxley stands the scattergun up in the dirt and pours a heavy charge from the bottle of gunpowder. A page from the paperback to tamp it down.
He points to Rigoâs pockets. âBatteries.â
Rigo hesitates, but produces the items from his coat pocket. The collection of batteries includes several AA and a few D-cell batteries. Huxley snatches one of the D-cell batteries from Rigoâs palm and it slides easily down the barrel of the scattergun. Huxley rips another page from the paperback novel as wadding and crams it down firmly in the barrel. Then he winds the crank on the side of the weapon until the copper filament is glowing red-hot.
âQué vas a hacer?â Rigo says.
Huxley nods toward the whorehouse. âCome with me.â
âHokay.â
Huxley can barely even think straight. But this is good. This is better. He is so tired of running. He is so exhausted of sneaking around. Live or die in the next few secondsâit makes no difference to him. To be moving , to be grabbing his fear by the jugular and making