when the waitress has taken our orders.
âWhere do I begin?â she asks wrinkling her forehead.
Iâm relieved to find a topic sheâs willing to discuss. âWhy did you choose to live there?â
âIt seemed as far away from Dallas and Memphis as the moon. Itâs also where I found myself ⦠and God.â
âWhat do you mean?â Ivy asks.
âMore like God found me. Because I donât think I was looking. But he got my attention.â
âHow?â I ask.
âI quit looking inward and looked for help. And I found it.â
âGod helped you?â Ivy asks.
âHe always does.â
âWhat did you need help from? Were you trying to escape? Trying to avoid seeing someone?â I ask, wondering if that someone was Elvis.
âSomeone? You mean Elvis? No, it was over. I was over Elvis. But other things are not so easily forgotten. I needed to get away. It was too confining in Dallas.â
Or was our family, my mother and grandparents, too reserved for her? âWhat did you do?â
âDo?â
âFor a living.â
âA little bit of everything. I waitressed in a little café for a while. Modeled in New York.â
âYou modeled in New York?â Ivy leans forward.
âSure. I did a couple of runways, but I wasnât much good. I didnât want to show off the clothes. I preferred grabbing everyoneâs attention myself. Designers donât like that. I did a couple of magazines. But mostly I modeled for art students.â
Ivy leans back, shading her eyes with her eyelashes, wary and watchful.
âSomewhere thereâs a picture of me in the buff on some strangerâs mantle.â Rae starts to laugh.
Ivyâs eyes widen. âReally?â
Rae arches her back, pushing her small breasts forward. âWell, I wasnât Brigitte Bardot in my day, but I certainly wasnât a dachshund either. I had plenty of men interested back then. And I made a good living in the different artschools. Of course, I liked to think of myself as an artist then. But I had no talent. And certainly no determination. Just a willing spirit.â
âA free spirit,â I say.
She nods.
âAnd what did my mother think of all your adventures?â I ask, remembering Motherâs dislike of Holly Golightly in Breakfast at Tiffanyâs .
âOh, Beverly didnât ask anymore what I was up to. We had very little contact back then. She never wrote.â
âWe never got letters from you either,â I defend my mother. âJust an occasional postcard.â
She shrugs as if indifferent. âIt was for the best. Beverly didnât want to hear from me. She was busy with her own life. She had no need of me, no desire to remember â¦â
âRemember what?â I ask, leaning forward, resting my elbows on the table.
âHer dreams. She had them with you.â
I lean back into the booth. âMother always said she wanted to be a wife and mother.â
âThatâs true.â Raeâs mouth flattens into a thin line. âOur food should be coming soon.â
âWas my mother really satisfied with that?â I ask, needing to know more. I thought Iâd known Mother, but maybe I hadnât. Maybe no one had. It didnât seem like she let anyone into her thoughts or her heart. Maybe Rae hadnât really known her either. After all, they hadnât spoken for many years before Mother died.
âI donât know.â Rae lifts a narrow shoulder, then fingers the base of her iced-tea glass. âDreams come true are rarely as satisfying as we imagine.â
Wondering if sheâs thinking of my mother or her own lost or forgotten dreams, I place my hand on hers. I wonder if itâs painful for her to be back in Memphis. Memories, I know full well, can soothe like a violin sonata or jolt like a discordant note on a steel guitar.
Rae places her other hand on top of mine