down, but how? Iâm trapped. âIvy?â She turns finally, her face pale, eyes wide. She presses a hand to her mouth.
âDo you need a towel?â I ask, seeing it on the concrete at the tip of my shoe.
Ivy picks it up, dabs her mouth, then lays it atop Elvis, carefully straightening the folds and edges.
âNow what?â Rae asks. âItâs getting heavy.â
âI canât put it down.â The weight of the door pushes against me. Elvisâs head presses into my stomach.
âIâm okay.â Ivy steps behind me and pulls the door open wide. âGo on.â
âIâm glad we arenât attracting any attention,â Rae says.
We shuffle through the stairwell, then into a narrow hallway. The walls are painted yellow, but there are no decorations. Nothing but door after door of rooms. At the end of the hallway, I notice a sign with the silhouette of a woman.
âThereâs a restroom.â
But Ivy heads straight for the elevator, which has a sign pasted over the buttons. âOut of order.â
âGreat,â I mutter. âThereâs another elevator down the hall.â
This time we have to pass the Jungle Room bar and the entrance to the lobby. No one seems to notice us as we scurry along like mice carrying a block of cheese the size ofWisconsin. When we reach the other elevator, I lean against the wall, my arms aching. âIvy, are you sick? Do you think I should take you to a doctor?â
âIâm fine. Just carsick.â
I hesitate to mention the obvious, then say, âWeâre not in a car.â
âIâm not over the drive yet.â
âIt could take a few more hours,â Rae says as if sheâs had experience with this sort of thing. âYouâll feel better when you get something in your stomach.â
Ivy doesnât look too sure about the idea.
âShould we call your dad?â I ask.
âIâm fine. Really.â Her voice takes on that huffy quality of irritation, and I drop the subject.
I glance up at the lights above the elevator. How much longer? The hallway is deserted except for a framed poster of Elvis and a vending machine selling water and Cokes.
Ivy lifts the corner of the towel covering Elvisâs face. âThatâs creepy.â
âWhy do you think I banished Elvis to the attic?â
Finally the elevator arrives. Itâs empty. We board it, inching forward, careful not to scrape Elvis against the doors. A minute later we carry him down the hallway to our suite.
âWhere?â Rae asks.
âOver there.â We shuffle our way to the sitting room and set him on a corner table.
Ivy flips the towel over his head, covering at least his face. âHe was staring at us.â
âLaughing at us is more like it.â I feel laughter bubble up inside me.
* * *
âWHEN IN MEMPHIS, eat like the natives,â I say, pulling into Corkyâs, one of the best barbecue joints in town according to Southern Living . Weaving the unwieldy Cadillac through the narrow parking lot is an exercise in holding my breath. Itâs usually my personal rule not to eat at places with big pigs on the side of the building, but itâs also my rule not to chase impossible dreams. This trip is an exception to all.
The air inside the restaurant smells tangy, mingled with the succulent scent of roasted pork. If I was looking for a quiet dining experience, this isnât it. But at least the music piped through the restaurant isnât Elvis. After a short wait weâre seated in a booth.
âSweet tea?â the waitress asks.
âItâs been years,â Rae says, âbut I believe Iâll indulge in the house wine of the South.â
âYou must not have been in the South much, sugar,â the waitress remarks. âOr else you have great self-control.â
âIâve never been accused of that.â
âTell us about Oregon,â I say,