impenetrable barrier. The victim of some obscure malediction, she was hurt and perplexed by her situation, and often in the evening she would sit crying on her little chair. She was accused of having a sulky disposition; one more inferiority she had to put up with. She might have taken a thorough dislike to me, but paradoxically she only felt sure of herself when she was with me. Comfortably settled in my part of elder sister, I plumed myself only on the superiority accorded to my greater age; I thought Poupette was remarkably bright for her years; I accepted her for what she was â someone like myself, only a little younger; she was grateful for my approval, and responded to it with an absolute devotion. She was my liegeman, my alter ego, my double; we could not do without one another.
I was sorry for children who had no brother or sister; solitaryamusements seemed insipid to me; no better than a means of killing time. But when there were two, hopscotch or a ball game were adventurous undertakings, and bowling hoops an exciting competition. Even when I was just doing transfers or daubing a catalogue with water-colours I felt the need of an associate. Collaborating and vying with one another, we each found a purpose in our work that saved it from all gratuitousness. The games I was fondest of were those in which I assumed another character; and in these I had to have an accomplice. We hadnât many toys; our parents used to lock away the nicest ones â the leaping tiger and the elephant that could stand on his hind legs; they would occasionally bring them out to show to admiring guests. I didnât mind. I was flattered to possess objects which could amuse grown-ups; and I loved them because they were precious: familiarity would have bred contempt. In any case the rest of our playthings â grocerâs shop, kitchen utensils, nurseâs outfit â gave very little encouragement to the imagination. A partner was absolutely essential to me if I was to bring my imaginary stories to life.
A great number of the anecdotes and situations which we dramatized were, we realized, rather banal; the presence of the grown-ups did not disturb us when we were selling hats or defying the Bocheâs artillery fire. But other scenarios, the ones we liked best, required to be performed in secret. They were, on the surface, perfectly innocent, but, in sublimating the adventure of our childhood, or anticipating the future, they drew upon something secret and intimate within us which would not bear the searching light of adult gazes. I shall speak later of those games which, from my point of view, were the most significant. In fact, I was always the one who expressed myself through them; I imposed them upon my sister, assigning her the minor roles which she accepted with complete docility. At that evening hour when the stillness, the dark weight, and the tedium of our middle-class domesticity began to invade the hall, I would unleash my fantasms; we would make them materialize with great gestures and copious speeches, and sometimes, spellbound by our play, we succeeded in taking off from the earth and leaving it far behind until an imperious voice suddenly brought us back to reality. Next day we would start all over again. âWeâll play you know what,â we would whisper to each other as we prepared for bed. The day would come when a certain theme, worked over too long, would no longer have the power to inspireus; then we would choose another, to which we would remain faithful for a few hours or even for weeks.
I owe a great debt to my sister for helping me to externalize many of my dreams in play: she also helped me to save my daily life from silence; through her I got into the habit of wanting to communicate with people. When she was not there I hovered between two extremes: words were either insignificant noises which I made with my mouth, or, whenever I addressed my parents, they became deeds of the utmost