Paris after the Liberation 1944-1949

Paris after the Liberation 1944-1949 by Antony Beevor Page B

Book: Paris after the Liberation 1944-1949 by Antony Beevor Read Free Book Online
Authors: Antony Beevor
o’clock, while Choltitz’s orders to cease fighting were sent off to the last German strongpoints. De Gaulle was angry when, shown the act of surrender, he saw that not only was Colonel Rol-Tanguy’s signature on the document, but it came first. He was irked not so much by the fact that Rol-Tanguy was a Communist, but that he had no official position in the provisional government or its armed forces. But this did not stop de Gaulle fromcongratulating Colonel Rol-Tanguy on the achievement of his men. He knew full well the value of the myth that the rising had created.
    For de Gaulle, on this victorious afternoon, symbolism was of paramount importance. He did not hurry to meet Bidault and the leaders of the Resistance at the Hôtel de Ville. After Montparnasse, his first visit was to the Ministry of War in the rue Saint-Dominique, his own fief in 1940 before the Pétainist usurpation intervened. His memoirs describe how little the place had changed: ‘Not a piece of furniture, not a tapestry, not a curtain had been altered. The telephone was still in the same place on the desk and exactly the same names were to be seen under the buttons.’
    Then he went to the Prefecture of Police to see Alexandre Parodi and Charles Luizet. He was greeted by a huge crowd and a band of the Parisian fire brigade, led by its drum-major, playing patriotic anthems. Finally, just after eight in the evening, he crossed to the right bank, to the Hôtel de Ville, where Georges Bidault and the National Council of the Resistance awaited him.
    There, in the great hall, he made one of the most emotional speeches of his life: ‘Paris! Paris outraged, Paris broken, Paris martyred, but Paris liberated! Liberated by herself, liberated by her people, with the help of the whole of France, that is to say of the France which fights, the true France, eternal France.’
    Yet many members of the Resistance felt that in one way the General had not been emotional enough. ‘One would have liked more understanding,’ wrote one of them in his journal. ‘And this speech… short, authoritarian and spotless. Very good, perfect, but all the same, he should have said thank you to the CNR and to Alexandre [Parodi], who had given so much of themselves.’
    When de Gaulle had finished, Bidault asked him to proclaim theRepublic to the crowds waiting below, but de Gaulle refused. Largely as a result of his deliberate
hauteur,
this exchange has often been described as a cruel snub to Bidault and the leaders of the Resistance. Even Bidault himself later contributed to the myth of a great clash.
    In reality, de Gaulle simply wished to re-emphasize his view that Pétain’s regime had been an illegal aberration. René Brouillet, Bidault’s
chef de cabinet,
who was standing just behind the two men when the request was made, had a clear memory of the exchange. ‘The request of Georges Bidault was the request of a history professor who had a strong memory of the proclamation of the Republic from the balcony of the Hôtel de Ville, in 1848 and 1870. And as a result [he] asked General de Gaulle in the most natural way, and the General, in no less natural a way, replied, “But why should we proclaim the Republic? She has never ceased to exist.”’
    De Gaulle nevertheless agreed to make an appearance. The ‘balcony’ of the Hôtel de Ville is more of an imposing balustrade, adding to the importance of the principal window. De Gaulle got up on to the balustrade and raised those endless arms in a victory sign to the crowd below. The response was tumultuous.
    General Koenig, the new military governor of Paris, invited officers of the 2e DB to dinner at the Invalides. Before they went in, Koenig stopped Captain de Boissieu in the courtyard and made a sweeping gesture, saying: ‘Look, Boissieu, it is extraordinary to have liberated Paris without having destroyed its wonders; all the bridges, all the great buildings, all the artistic treasures of the capital are intact.’
    The

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