The Pleasure Tube by Robert Onopa

ceramic ashtray. "You're too arrogant, Voorst. You have no respect for us."
    "Maybe because Daedalus SciCom doesn't know its ass from a wall screen," I say as I rise to leave.
    In the pastel room, Taylor is telling me that he is going to see to it that I won't fly again, not even out of the service, until he and I are through, not if it takes until the end of his career. Blood rushes to my neck—no bureaucrat can cashier flight crew, what an ugly thing to say—my anger is palpable to me, a thickening of my blood. I slam the door behind me with both hands, as if I want to throw it in his face.
     
    At one time—it was when Maxine was sleeping in my cabin on the Daedalus, and I realized she was seeing Cooper all along—I told myself I wouldn't let a woman make me feel this way again. Now the woman is Collette, and I am again depressed by the sticky gloom, the heart-thumping mud of betrayal. Seeing Maxine with Cooper—well, they say the first cut is the deepest. I'm not sure. There might be another explanation for the way Collette's behaved toward me, but I shouldn't delude myself. I'm certain now that she lied to me about where she was the night she was gone, lied through her soft lips. I know she was in touch with SciCom at least from the third night.
    Erica meets me at a D-bar in the trans-port and I am finally able to leave the terminal. It is already midafternoon. On our way to the local residence LasVenus sprawls before us from the elevated freeway, bright in the three o'clock sun. The city, Erica tells me, is a layover for sections of theTube and a separate resort complex, the largest of its kind. I am almost too low to appreciate the spectacle. Glittering casinos, a floating Hong Kong nightclub on an artificial lake, three domed stadiums, emerge miragelike in the distance, along with sports and racing circuits, in a high-rise clutter whose buildings shine like mica sheets under the bright haze of the sun. The centerpiece of LasVenus is a massive new club with a forty-acre garden on its roof, complete with artificial weather—occasional summer storms with lightning streak across its sky, thunder rolls in as if from a distance, rain pours into its ponds. From our distance driving in I can only see the Tower as a beige, transparent high-rise. The shimmering movement of its sides, Erica explains, comes from its elevators; the first twenty floors, which shimmer more than the rest, house an administrative core. In the other direction must lie the ongoing city of permanent residents—rows of drab, blocklike buildings stretch into the desert.
    How can I sort out my feelings? It seems useless to try. I miss Collette even as I think, The bitch, the manipulating bitch. Massimo is probably right about these women. And yet...
     

     
    We take the exit, offramp through a greenbelt separating sectors, cross over a wide, banked track for land-vehicle racing. From the overpass I glimpse two Formula E's, flywheel-propulsion racing machines I've only seen on the videon. Toadlike, awkward in shape, their power is tremendous. I remember hearing they don't handle well as I watch the lead car lumber into a curve. The oddest thing is the high whistle of their passing.
    Our taxi swoops beneath pedestrian level for a kilometer, then ascends for a slow drive down a boulevard lined with shiny, artificial trees and pastel buildings which flash above like gems set in gems. Erica is telling me about shows she wants to see as we drive on. It is the overall effect that I am still trying to absorb. The size still impresses me, not only the size of this district, but of the other LasVenus, I cannot have seen the end of the residence blocks stretching into the desert.
    "We'll have to play it by ear. I'm sorry," Erica says. "You're entirely desynched from the program. We could stop somewhere if you like."
    "Why not," I say.
    We wind up at a place in the Tower Complex called the Club Erotica, a big, shimmering bar of several levels, with men and women