Torrens later described as a basiliskâs eye.
âMay I know?âthis Monsieur de X. attached importance to opposing the ferry scheme, whatever this may be?â
âCertainly he didââRichard, rather negligently, answered for Julia.
âAnd withdraws his opposition at his wifeâs wish, because she will see a princess married?â
âJust that. Men are often rather at the mercy of their wives.â
âBut for this man, this Minister, it was a matter of principle to oppose?â
âOne imagines so, or he would hardly have made so much fuss for so long,â Richard said frankly. âBut why, Countess? Does it matter?â He was astonished at her persistence.
âTo me such a thing is infamous,â Hetta Páloczy said, once again with that ring in her voice. âTo sacrifice a principle for a social occasion! Where I come from people
die
for a principle!â
Of course that led to an awkward little pause. It was broken by Julia Probyn, who said gentlyââI expect we all lead frightfully low, unworthy lives by comparison with the people you have been accustomed to live among. Iâm sorry. Thatâs the way we areâwe have been too safe, and had it too easy, for too long. Youâll have to be patient with usâI hope you will be.â
âOh,
you
are niceâyou are
true
! I knew this at once! Please forgive meâeverything here is so strange!â She looked ready to burst into tears.
âOf course itâs strange to youâand in fact we are probably a lot of miserable bastards, as Miss Probyn says,â Richard said comfortingly. âDonât worry, Hettaâif I may call you that?â
âHetti, please,â she said, the tears now falling.
âVery well. Dear Hetti, go upstairs with Julia and powder your nose, and then come and have coffee in the garden.â
The garden was really only a small flagged terrace atthe back of the house, shaded by a vine trained over a trellis, with two or three narrow flower-beds; its low walls were both faced and topped with glossy blue-and-yellow
azulejos
. There was an azulejo-topped table too, and some garden-chairs with cushions, but when the two girls came out Torrens and Atherley were sitting on the wall, enjoying the view.
âOh, how pretty!â Hetta said, with her little
grande dame
air, to Richardâs relief entirely ignoring the scene she had created only a few minutes before. âBut this is perfectly charming.â She went to the wall and looked over. âAnother gardenâis this yours also?â she asked him.
âNo, that belongs to one of my neighbours,â he said. In fact the gardens of the little houses below came right up to the foot of the wall; the nearest was full of ancient and enormous medlar-trees with grey leathery leaves, vegetables growing among them; similar gardens, divided from one another by the frailest of fences draped in runner beans, spread right down to the houses at the bottom. Torrens turned to examine them, standing with a foot on the wall.
âWhere does that track between the houses go to?â he asked.
âIt leads out into a maze of little streets, down towards the river, and that level crossing where the goods trains hoot so frightfully at 2 a.m. Lady Loseley is always grumbling to the Commandant of the City about it; she says the noise comes right in at the Embassy windows,â Atherley said.
âPerfect get-away if you wanted oneâdrop off the wall and down through those shrubs and creepers,â Torrens pursued.
âAh, but I enjoy diplomatic immunity, so I donât have to think of those things, Torrens. Hetti, have some coffee?â
âRichard, I think Iâve persuaded Countess Hetta to come out and have supper at the Guincho on Tuesday,â Julia saidââWill you come too? Hugh, of course, goes without saying.â
âJulia, I donât go
anywhere
without
Arturo Pérez-Reverte