the years leaching color from the paper and the images. I smiled. âAnd thatâs my mother and mother-in-law on each side.â
âThey look so happy,â Jayne said, replacing the frame.
âThey were best friends, according to my mother.â
âWhoâs this, do you think?â
Jayne held up another photograph of a girl about ten years old, more recent than the ones of Button. The colors were sharper and the television in the background looked as though it could have been early to mid-eighties. The girl bore a striking resemblance to Button, the same light hair and large, almond-shaped blue eyes.
âIâm not sure,â I said. âBut it could be her niece. Her brother had a child.â
Jayne looked at me with surprise. âThen why didnât she inherit everything?â
I glanced over at Sophie for help, but she was busy studying something in the rocking chair. âShe didnât survive childhood. My mother remembers that she was . . . sickly.â
The frame fell heavily onto the tabletop, almost as if it had been wrenched out of Jayneâs hand and thrown down.
âSorry,â Jayne said. âIâm so clumsy.â
My phone began to ring in my purse, the ring tone one I didnât recognize. My hand froze on the purse clasp, willing it to stop ringing.
âYou can answer that,â Jayne said. âI donât mind.â
âItâs not important,â I said, keeping the tremor out of my voice. âIâll just silence it so we can focus.â I reached into my purse and flicked the button on the side of the phone without looking at the screen, knowing it would be the same unidentified number as before.
I picked up the frame, the clips on the back apparently loosened in the fall and allowing the glass and photograph to slip out. I turned thepicture over to see if there was any writing on the back. There, in faded blue ink and in a feminine hand, was written the single name
Hasell
.
âIs that a misspelling of Hazel?â Jayne asked.
I shook my head. âItâs actually an old Charleston family nameâthereâs a street by that name that runs from King Street past East Bay. Itâs pronounced like Hazel but spelled with an S. My mother told me that Buttonâs brother, Sumter, married a Hasell, which would explain why they used it for their only child.â
As I replaced the photograph and glass back in the frame, I studied it more closely, seeing now the dark circles under the childâs eyes, the pale translucence of her skin, the faint blue veins that bracketed her temples. I thought of the robust cheeks and bright eyes of my own children, and I felt a stab of loss for this girl Iâd never known. I couldnât take my gaze away from the image, noticing now something familiar in the shape of the chin and the delicate arch of the eyebrows.
I was about to pick up the photo of Button to compare the faces when I heard that odd, metallic sound again that Jayne and I had heard earlier. We both turned toward Sophie, who was holding something up in her hands, a look of surprise and wonder on her face.
âThatâs hideous and bordering on creepy,â I said, staring at the old china-faced doll in her hands, noticing that Jayne had stepped behind me as if for protection. The dollâs straggly brown hair made a cloud over its expressionless face, the two large dark eyes staring unblinkingly back at us. I suppressed a shudder.
âThe vibration of our footsteps on the stairs must have shifted it in the chair to make that sound. If this is what I think it is, it could be worth a small fortune.â Sophie smiled widely as if unaware of the terrifying object she was holding.
âWhat is that?â I asked, staying where I was. Like with clowns and dollhouses, there was something inherently disturbing about antique dolls. Certainly the stuff that childhood nightmares were made of.
Sophie